Water bee 


a ac he 
2 Soa 
tae 


ae dh. eckegtists Wat ‘Relief ale -/2"79- 
Bier (Concludétittom last week) 


The second and concluding ‘session of 
‘the sale of pictures and sculptures, con- 


of the Relief Fund of the American Artists’ 
Committee of One Hundred, co-operating 
with the Fraternité des Artistes -of Paris, 
at the American Art Galleries, May 4, 
| brought a total of $12,440 for 73 pictures, 
five sculptures, and one medallion, which 
Biel to the total of the first session, or 
~ $1,890.50, makes a grand total for the sale 
of $14, 330. 50, a fair result, only, as it had 
ae been hoped ‘that the sale would net some 
$25,000. There were too many very “slight” 
works sent in for the sale, which pulled 
down the total. The attendance was not 
jlarge. William A. Coffin, chairman of the 
| American Committee, an id Mr. Kir by made 
brief introductory addresses before the sale, 
and Mr. Coffin thanked the contributing 
artists, the American Art Association which 
| gave its galleries and services, and others 
_ |-for the assistance and co- operation. He 
-|also read an appreciative cable from Leon 
| Bonnat, the French artist. Mr. Thomas E. 
| Kirby acted as auctioneer. 
caer highest figure of the session and sale 
s $1,500, given by Knoedler and Co. for 
Sat Re eal Landscape,” by J. Francis 
Murphy. The same firm paid $700 for 
Irving R. Wiles’ “Mirror Lake,” and $550 
for Blashfield’s fine conception, “The 
Sisters,” three heads of handsome young 
women personifying the three Republics 
of France, (1789), Russia (1917) and the 
United States (1776). 
. The works which brought $100 and over 
May 4, with artist’s name, titles, buyer’s 


name and price, follows: 
Dewing, T. W., Figure of a Young Woman” 


P 


\ 


eae AI ea 


a, 
eee ae 


a Castel), ON ite NIOULT OSS aaukit « «cece s $125.00 
r | Olinsky. Ivan, ““Anna,’? W. M. K. Olcott.. 120.00 
r (Murphy, J. 3, “Autumnal Landscape, ys 
a I ci. aan css... 1,500.00 
py Davia ©. 1. “Summer Morning,’ Mc- 
; | Donough TE aS ae a earn 125.00 
] | Benson, F. “Early oe aes (Water- 
sf color), O wees [SUSE rae 280.00 
: | Dunsmore, J. W “Olde Friends.” W. W. 
fey | =) Sa eet a Rm ee 185.00 
_ °| Williams, F. Ballard, “Near Pompton, N. J.,’’ 
E. ape Be gv ss c's cs es 150.00 
| Coffin A., “October Evening,” J. E. 
| MeCarth Ne aig oss omc 150.00 
| Carlsen, Emil, “Evening,” H. Schultheis. 160.00 
| Volk, Douglas, “Wood Nymph,’? John 
Agar ere tered Recs (Pe aunsc cits toc «demas 8s 410.00 
3 | Howe, W. H.. “Hill Pasture, Dover Val- 
ley, N. J.,”’ James Logan.............. 220.00 
Hescogs, Childe, “North Gorge, Appledore,”’ 
: NU SPRINIOMOER ALI AGE yon ie act", «oie sed 6 =v Gib foie os 195.00 
Cofin, W.-A.,: “Early Evening,” F. Lceser 
= Rete Cais fet ors.siciapie bias, «ue ese s-3''s © 140.00 
Coleman, C. C., ‘“‘Gateway, Capri,’ Miss 
Mi UE Say |S Se aR aD ee ee 160.00 
Knight, L. Aston, “Abbey of St. Gond” 
i, Onierrnense aso Carthy cass. sis cee ves 100.00 
: Hawthorne, C. W., ‘‘Foxgloves,’”? Knoedler 
@ ST tc elers es. cis'w hyn  ste:© 2.0 ara0 0s 105.00 
Symons, Gardner, “Hillsides and Melting 
‘ Snow,” H. etultheis si csn eens oso 190.00 
Cohen, Lewis (Dec’d), “Autumn,” Miss E. 
Lice ata 6 25 Sas Sas ar en 100.00 
| Van_Boskerck, R. W., “Seine, Normandy, 
F Loeser ia CGI ae SR a ee 150.00 
| Cox, Louise, “Goldilocks,” John Levy...... 140.00 
| Robinson, W. S., “Autumn Evening,” C. L. 
EIN ELS ciel, 2505 sa seins as S500 8 om wiles bbe 00 180.0 
‘Jones, Francis C., ‘In the Garden,” Miss 
| IIE, fi 8 Ss acs 0 sic 5 aw G4 v's ,0' © 100.00 
| Redfield, E. W., “Brook and Meadow,” 
ys Ee Bsion, Gas alg ee 380.00 
ones, olton, “‘Sprin orning,”’ 
“os Saal Salad sre DRA. 150.00 
| Wiles, ce R., “Mirror Lake,” Knoedler 
| PMR has) os. idlicds Fo Wiel ora Wialee sis 6. « 700.00 
t Cox, ae lah SAncust:” John. Fry...... 280.00 
) Watrous, H. W., “Peace with Honor,” T. F. 
| RE Te 160.00 


: Smillie, Geo. H., 


is Palmer, WwW. Le 


tributed by American artists for the benefit — 


| Butler, Howard R., ‘‘Sunrise, Maine Coast,” 


- : ta i an Sarr, {Fo — 7 > poy 
Old Pasture lands” Geo. a * x 


380.00. 


So aida EPMO aT 0-5 'o,s weit Sree sen a ane 
“Tye Pine Grove,” Bernet, 


Ce 


gt. 
Harrison, Birge, ‘“‘The Lights of Levis,” 


4 VEG Grit Ll Soar erene ois ionetees hotior'eriene ee alee 140.00 
Eaton, C. W., “Evening, Belgium,” T. Fe 
Prendergast ciaNe Stig Wise eed Moraes wile rules 100.00 
Lie, Jonas, ‘“Old_Covered Bridge,” C. A. 
BS Taiche paee ns recat case at nen @ ee ite abate See Mane Eons 200.00 


Terre + COM tie eerie ieee ees ake Sere 150.00 
Lockman, Dewitt, “Springtime,”’ oye rags a 

(Os. ole race eee eee ene ecelahel amas at PUT Bc 125.00 
Dufner, E., “Summer Days,” Abratate & 
NUT LS ie eas Briain s arcs fee nctaletsPoraie ee 105.003 


100.00 — 
470.00 
520.00, 


F. Loeser Oo. 
Knight, L. Aston, “Our Garden, Launay, 
Normandy,” eh CLR INCI TIC ots. whe ccet trae. Nas 
Waugh, F.—J., 


Ce | 


ticiincion SS Ss Pea aa ax 140.90 — 
King, “Paul, “Od House, Gernigntown.” a 

Olivine GaN Gar esl Sie ig see oe MEL etre wicheses 170.00. 
Blashfield, E. a “The Sisters,’”? Knoedler ig 

OPCS Ons ie ng cate at are etaca uals. oh avonciamatimarane - 550.00 
Maynard, G. W., “The Oceanides,” F. Loeser m. 
& Co. ES SIGUE af abo Tek Maus eye Bree eee tole ceret aris les 11520042 

SO tinlpess con acer el gitahenateya tone vor nt felete meee tee Meteors oie $12,440.00 
PiesteSession!= LOtAL sc <2 2 siecepete a Sissies ious ole 1,890.50 | 


Grand —£0tal cece 6 oie et cielo a ye ees. ae $14,330.50 


* — 

- » ee 
ies 
So)” 


Bu Dee are placed 
en tof the war- 


iva ‘Ballery nd 
H commissions on dyes es 


Bhs : of Daint- 

‘ad ur eontetbited by the. 
and owners for the relief fund, 

r Nasaisee the Hraternite ‘des | 


{ Sorenaataree is 4 ee re ihe ‘aes 
. Le Art Galleries, and opened on Tues- 
a _ The keynote of the motive back 


one. enters: the galleries and passes 
le’s Washington draped with French 
1 American flags, and is repeated in | 
shfield’s “Sisters,” showing heads of | 
tea, France and Russia, the latest 
ition to the family of republics. A 
2 eagle by Paul Bartlett is repre- 
e of “Preparedness.” 
Ais by Thomas. Nast ‘alae 
the tone of patriotism. It is 
more finished ‘than his cartoon 
‘and shows Liberty lifting an 
American flag from a portrait of Wash- 
ing ton, at the base of his statue. In 
back rises the Capitol. 
: The contributions run the entire | 
amut of mediums. There are oils and | 
e els, chalk drawings and water col- | 
‘There is an interesting drawing 
black and white chalk on gray paper 
Lord Frederick Leighton, showing 
‘t ua of drapery. 
' W. Sergeant Kendall's “l/Egypti- 
enne” is a life-size head of a young 
yoman with the charm of the East in 
ie richness of its coloring. George El- 
mer Brown has a fine “Breezy Day at | 
Btaples”—fiat country with belts of for- | 


= 


“sweeping none ad of the wind. 
“Autumnal Landscape” is full of that 
er of the country that J. Francis 
Murphy can so well express. Quietness, 
rest, and the peace of God—so strangely 
foreign to us in cities in these days of 
‘tension. 
| ‘That same impression of restfulness 
“is in Hmil Carlsen’s “Evening” —a sail: 
ing ‘vessel quietly coming into an estu- 
lary of the sea between wide stretches 
lof sandy shore and lighted with the 
afterglow of a summer day. 

‘Childe Hassam again in this show 
gives us “The North Gorge Apple- 
dore,’ but not in as high a key as ‘The 
Gorge,’ shown in the Helectic “show 
last week, nor was the charming bath- 
‘ing figure contrasted in the’ sofimess of 
her outlines to the rugged rocks and 
the swirling of the blue surf. 

' In a pastel of yellow and. brown 
Charles Noll Flagg shows “Friendly 
Fishing. Boats,’ two Venetian boats 
|¥ying side by side moored to a buoy. 
heir yellow and brown and white sails 
i\Rhang from the rigging in colorful 
| masses, . 

|. Reealling again the object of the sale, 
“phe Salute,” by R. ©. Zogbaum, shows 
“a vessel of our old “White Fleet’’ fir- 
ing. a “salute as she _passes a town on, 


‘the Mediterranean. Ab ri, >minds one” 
of Kipling’s tribute to “Fighting Bob” 
‘“Fogbaum does things with his 
bad oer and I do things with _my pen; 
while you sit up in a conning tower, 
‘boss of ten thousand men.” ‘ 

Colin Campbell Cooper shows *‘Siun- 
‘set near Florence’—a view frota a 
height overlooking a village on the hill: 
side and away to a range of blue moun- 
tains and the sky of evening, in all the 
charm of water color. 

Elliott Daingerfield has a water col- 
or also, “Moonlight,” but into it he has 
‘not put as much fantasy as he does his 
oils. 

“Brook and Meadow,” by Edward 
Redfield, shows the characteristic choice 
‘of subject of the painter, but not his 
usual dexterity in handling ice-bound 
streams and the fields of winter snows. 

There is a richly decorative ‘‘August”’ 
by Kenyon Cox, showing the seated fig- 
ure of a woman, draped’ in a deep red 
‘covering. In her hand she earries a 
‘sickle, The figure of a nude boy ap- 
‘proaches her, bringing on his back a 
sheaf of wheat. Both are against the | 
background | of a summer sky. 
|. A twinkling line of lights in a low: 
‘foreshore and a harbor with floating | 
icerfloes, the dull color of winter, water 
Land a cold sky, is Birge Harrison’s “The | 
Light of Levis.” 


————— ee 


i tT ia i ah ee etal! 


i 


American Painti 
contributed in aid of the Relief Fund of the American Artists’ Relief 
Conmittee of One Hundreds 
sold at the American Art Association, 

New York, May 3 and 4, 1917, 


Prices Buyers 
$ 30. L. Wallerstein 
57.50 Abraham & Straus — 
30. ; T.F, Hatfield 
25. foe 
42.50 J.D. Holmes 
60. Abraham & Straus 
47.50 Morris §, Allen 
25. Abraham & Straus 
40. John de Lenahan 
62.50 Fred. Loeser & Co. 
67.50 .F. Hatfield 
32.50 Abraham & Straus 
37.50 .F. Hatfield 
42.50 Fred. Loeser & Co. 
35. Miss Lorenz, Agt. 
52.50 JK Johns 
42.50 Geo.Broadhurst ; 
100. Leo.Wallerstein 
25. Fred. Loeser & Co, 
25. Morris S. Allen 
7D Jed. Lenahan 
165. Fred.Loeser & Co. 
40. Lid e te 
aoe John Levy 
125. N.E. Montross 
40. JeM. McCarthy 
30 T. Pendleton 
120. NeM.K. Olcott 
60. John G. Agar 
20). Fred.Loeser & Co. 
55. Lid " tt 
90. Henry Schultheis 
1500. M.Knoedler & Co. 
125. McDonough Gall. 
356 Miss Wellington 
256 Miss Lorenz, Agt. 
40. M.Knoedler & Ro. 
40. EA. Milch 
70. John Levy 
30. G. Sterling 
280. Otto Bernet, Ast. 


Nos. 


108 


and Sculpture, 


Prices 


Buyers 
WeW. Seaman, Agt. 
B.A. Mileh , 
Fred. Loeser & Go, 
JeM. McCarthy 
Henry Schultheis 
M.Knoedler & Go, 
John G,. Agar 
James Logan 
Vv. Harris 
Fred.Loeser & Co, 
LeRoy Ireland 
Abraham & Straus 
Miss Wellington 
Mrs.F.L. Eldridge 
L. Wallerstein 
We Trevor 
Abraham & Straus 
JM. McCarthy 
JG. Agar 
L. Wallerstein 
M.Knoedler & Go, 
H. Schultheis 
E. Lenahan 
LeRoy Ireland 
C.A. Black 
Mr. Lynde 
JH. Bailey 
M.O'Brien & Son 
Fred. Loeser & Co, 
iy bid * 
McDonough Gall, 
John Levy 
C.L. King 
M.Knoedler & Co, 
Miss Wellinston 
J.0. MeDermott 
C.L. King 
Ge Sterling 
Miss Wellington 
M.Knoedler & Co. 


aan 


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Nos. Prices 


147 = 280. 
48 160. 
49 5B. 
50 65. 
Bl 3B. 
52 115. 
53 25. 
54 380. 
54.A 140, 
55 60. 
56 100. 
57 70. 
58 200. 
59 150. 
59 A 206 
60 125. 
61 105. 
62 100. 
63 5B. 
64 470. 
65 520. 
66 140. 
67 170. 
68 550. 
69 115. 

———— 


— a oe 


Byers 


John H. Frye 

T.F. Hobfield 

G. Sterling 
Fred. Loeser & Co. 
NeM.K. Olcott 
Geo.Ne Seymour 
L. Wallerstein 
Otto Bernet, Agt. 
JN. McCarthy 
LeRoy Ireland 

T. Prendergast 
C.A. Black 

vw te 
M.Knoedler & Co. 
Abraham & Straus 
M.Knoedler & Co. 
Abraham & Straus 
Fred. Loeser &Co. 
7. Pendleton 

G. Toune 

C.L. Schlens 
Miss Wellington 
John G Agar 
M.Knoedler & Co. 
R. Hosea 


et ees 


> 


Abraham & Straus 


oS pe eyrT Pi rot 
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(400 & 19@00L . hort 


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fietetelisey J 

stab ,tetered of 20 
waitrs05" 4.7 

braleril voted 


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ON FREE PUBLIC VIEW 


9 A.M. UNTIL 6 P.M. 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


FROM MONDAY, APRIL 30th, UNTIL 
THE DATE OF SALE 


AMERICAN PAINTINGS AND 
SCULPTURE 


CONTRIBUTED IN AID OF THE RELIEF FUND OF THE 
AMERICAN ARTISTS’ RELIEF COMMITTEE 
OF ONE HUNDRED 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON THURSDAY AND FRIDAY EVENINGS 
MAY 3rd AND 4th, 1917 


AT THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 8.15 O’CLOCK 


ILLUSTRATED CATALOGUE 


OF 


AMERICAN PAINTINGS 
~ AND SCULPTURE 


CONTRIBUTED BY PROMINENT ARTISTS 


FOR THE RELIEF FUND OF THE 
AMERICAN ARTISTS’ RELIEF COMMITTEE 
OF ONE HUNDRED 
COOPERATING WITH THE 


FRATERNITE. DES ARTISTES, PARIS 
AND FOR NEW. YORK ALLIED WAR RELIEF 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


ON THE EVENINGS HEREIN STATED 


THE SALE. WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF 
THE AMERICAN ART ASSOCIATION 
’ MADISON SQUARE SOUTH 
NEW YORK 


THE AMERICAN ART ASSOCIATION _ 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 

TEXT AND TYPOGRAPHY RI 


LA FRATERNITE DES ARTISTES 
AND 


THE AMERICAN ARTISTS’ COMMITTEE 
OF ONE HUNDRED 


Tue American Artists’ Committee was organized in 
New York, September 25, 1914. Its first circular of 
appeal for funds to help the suffering families of 
French soldier-artists. was sent out in October to artists 
throughout the United States. The names of sixty 
artists headed that appeal. The Committee later 
adopted the name, “The American Artists’ Commit- 
tee of One Hundred,” and now has one hundred and 
seventy members, resident in twenty-nine cities and 
towns of America, besides the city of New York, where 
it has its headquarters at the American Fine Arts 
Society Building, 215 West 57th Street. 

We have sent out other appeals to artists and 
friends of art during the period of the Great War 
and in February, 1915, we held an exhibition with ex- 
cellent financial results at the galleries of M. Knoedler 
& Co., Fifth Avenue. In September last we sent out 
a letter-circular addressed to ‘‘Friends of France and 
Friends of Art” which brought in a substantial sum. 
The present Exhibition, all the paintings and _ sculp- 
ture being entered for sale at auction without reserve, 
is the result of an invitation to our members and other 
artists. The response was very generous, the names 
are the best in American art and the examples are 


representative. 


The Fraternité des Artistes, headed by Monsieur 
Léon Bonnat, is composed of members of the great — 
Société des Artistes Francais, the Société Nationale 
des Beaux-Arts, the Salon d’Automne, etc.—a union of 
all the French painters, sculptors, architects, engrav- 
ers, illustrators, and mural decorators—by far the 
greater number belonging to the Société des Artistes 
Francais, a State institution. The relief work of the 
Fraternité is carried on through the latter society’s 
efficient permanent organization, in connection with 
that of the Société Nationale, also “reconnu d’utilité 
publique,” as is the Fraternité itself. Neither M. 
Bonnat nor any of his associates have ever put before 
us the crying needs of the dependents of their confréres, 
over a thousand of whom have fallen on the field of 
honor and many more maimed or blinded for life, unless 
specifically asked to do so. They have done and are 
doing all that is possible to give financial aid them- 
selves and are most grateful to us for our brotherly 
assistance. The letters and cables I have so frequently 
received from M. Bonnat always express more and more 
gratitude and we, on our part, consider it a privilege 
and an honor to be associated with the eminent artists 
of France in the work they are doing for the destitute 
and the unfortunate. We are glad, too, to widen the 
circle of the supporters of our Fund and we gratefully 
acknowledge all that helps to tighten the bonds that 


unite us to a noble nation. 


Wiriiam A. CorrFin. 


COMITE DE LA FRATERNITE DES ARTISTES 


GRAND PALAIS DES CHAMPS-ELYSEES, PARIS 


PRESIDENT 
Lton Bonnat, Membre de l'Institut, Grand-Croix de la Légion 
d’Honneur 


VicrE-PRESIDENTS: 


* ANTONIN MeErciE, Membre de 
Institut, Grand-Officier de 
la Légion d’Honneur 


* Décédé, décembre, 1916. 


ALFRED Roti, Grand-Officier de 
la Légion d’Honneur 


TRESORIER 


Cuarres Girauttr, Membre de l'Institut, 


Officier de la Légion 


MeEMBRES 


AuFrrEeD AGACHE, Officier, 
L. dH. 
Fevix Avusert, Chevalier, 
lea. 
BartTHoLtomeé, Commandeur, 
Lei sw 
De Bavopor, Officier, L. d’H. 
JEAN BeEravp, Officier, L. d’H. 
Louis Bernier, Membre de 
l'Institut, Officier, L. d’H. 
ALBERT Besnarp, Membre de 
l'Institut, Commandeur, 
L. @H.. 
ALEXANDRE BorLeavu. 
Emre BotssEav, Officier, L. d’H. 
Dannat, Commandeur, L. d’H. 
ALpHonse Derrasse, Chevalier, 
bea: 
Francois Framenc, Membre de 
l'Institut, Officier, L. d’H. 
Gero-WEIss. 
Jacaurs Hermanrt, Officier, 
L. @’H. 
Frantz JourDatin, Ofiicier, 
L. @’H. 
Emite Botsseav, Officier, L. d’H. 


Vicror Latoux, Membre de 
Institut, Commandeur, 
L. @H. 

Lucren Ltvy-Duurmer, Cheva- 
lier, L. d’H. 

L. H. Mareursre, Membre de 
l'Institut, Commandeur, 
ly. @H. 

Aset Mienon, Chevalier, 
rece rt: 

J. L. Pascat, Membre de lIn- 
stitut, Commandeur, L. d’H. 

Grorces Picarp, Chevalier, 
TA iH. 

CuartEes Prumer, Officier, 
| Beate le F 

Xavier Prrnet, Chevalier, 
D0, 

Ene Renarp, Chevalier, 
L. @H. 

Danie Savuseés, Chevalier, 
L. @H. 

Pau VirTry. 

WHITNEY WarrEN, Membre de 
l'Institut. 


DucHessE v’UzkEs 


SECRETAIRES 


Epovarp THoumy, Chevalier, L. d’H. 
EvcGENE Racuet 


DELEGUE A LA TRESORERIE 


CHARLES GEBEL 


AMERICAN ARTISTS’ COMMITTEE OF ONE 
HUNDRED 


Organized September, 1914 
Coéperating with La FrarernirE pes ArtisTEs, Paris 


M. Lton Bonwnat, President 


RELIEF FUND FOR THE FAMILIES OF 
FRENCH SOLDIER-ARTISTS 


Chairman . Treasurer and General 
A. NCA ct iane Secretary 
ees Cores On Wt. BAILEY Faxon, A.N.A. 
orary President of the Fra- 215 West 57th Street, 
ternité des Artistes New York 


EXECUTIVE COMMITTEE 


Hersert Apams, N.A. De Wirr M. Lockman, A.N.A. 
Francis C. Jones, N.A. Wiriiam H. Hype, A.N.A. 
JoHN Franacan, A.N.A. Witr1am B. Van INGEN 


Rosert Vonnou, N.A. 


SPECIAL COMMITTEE FOR THE EXHIBITION 


AND SALE 
J. Arpen Werr, P.N.A. Danie. C. Frencu, N.A. 
Paut W. Bartiett, A.N.A. Frank W. Benson, N.A. 
Francis C. Jonss, N.A. J. Francis Murrny, N.A.. 
Water L, Parmer, N.A. Dovueias Vouk, N.A. 
Epwin H. Buasuriexp, N.A. Herzsert Apams, N.A. 
CuitpeE Hassan, N.A. Bruce Crane, N.A. 
H. Borron Jonsrs, N.A. Epwarp W. ReEpFIELD 
Harry W. Warrovus, N.A.. F. Batitarp WitiiaMs, N.A. 


Wiruram A. Corrin, N.A., Chairman and Director 
of the Exhibition 


Wm. Bairey Faxon, A.N.A., Secretary and Treasurer 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such 
bid would be likely to affect the sale injuriously. 


2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either 
decide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the purchase 
money as may be required, and the names and addresses of the 
purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately 
put up again and re-sold. 

Payment of that part of the purchase money not made at the 
time of sale shall be made within ten days thereafter, in default 
of which the undersigned may either continue to hold the lots 
at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public 
or private sale, and without other than this notice, re-sell the 
lots for the benefit of such purchaser, and the deficiency (if any) 
arising from such re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon payment 
of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 
A. M. and 1 P. M., and on other days—except holidays—between 
the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and 
only on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of 
any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the 


purchaser. Title passes upon the fall of the auctioneer’s ham- 
mer, and thereafter, while the Association will exercise due 
caution in caring for and delivering such purchase, it will not 
hold itself responsible if such purchase be lost, stolen, damaged 
or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Associa- 
tion of the correctness of the description, genuineness or authen- 
ticity of any lot, and no sale will be set aside on account of any 
incorrectness, error of cataloguing, or any imperfection not noted. 


Every lot is on public exhibition one or more days prior to its 


sale, after which it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby 
would become responsible for such damage as might result were 
his opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


FIRST EVEIVING’S SALE 
THURSDAY, MAY 8, 1917 


AT 


THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 8.15 O CLOCK 


Catalogue Nos. 1 to 85, inclusive 


Lucia Fairchild Fuller, A.N.A. 


AMERICAN: 1872— 


eo ian / 
mee tS ety Bees 


See Height, 6 inches; width, 31, inches 


A FULL-LENGTH figure of a little fair-haired boy, clad 
all in white, standing in full face view. The setting 1s 
composed of a pathway and the pond and trees of a 
garden. 


Robert Aitken, N.A. | 
American: 1878— 


2—VANITY — 
(Bronze Statuette) YY Ore e 4 
se payess Height, 51/ inches. | : 


/ 
A FULL-LENGTH nude figure of a young woman with a 
piece of drapery hanging over her left knee, with her 
hands raised above her head in the act of dressing her 
hair. 


Stanley Middleton 


AMERICAN: CONTEMPORARY 


3—THE GARDENER’S Onn eae 
Height, 5%, inches; length, 81, 2 AIC 

A FarM-coTTace with a white awning over the door 

occupies the center of the picture. In the grass before 

it is a flock of chickens. Trees are seen on either side 


and beyond, on the right, are blue hills. In the sum- 
mer sky of blue are masses of white and gray clouds. 


tae hae 


Signed at the lower left. 


Dewing Woodward 


AMERICAN: CONTEMPORARY 


-\ 4-INDIAN GIRL “Oa 


* 


| ee Height, 10 inches; width, 7 inches 


A FULL-LENGTH figure of a young woman standing at 
the foot of a tree. The upper part of the body is 
nude and from the waist down the figure is draped 
in yellow. Background of foliage and flowers. 


Raymond M. Crosby 


AMERICAN: 1876— 


5—CAPE COD IN SUMMER Cea JY, ‘ 
Height, 8 inches; length, 10% inches 


ona 
A stretcu of level lands with a strip of blue water in 
the middle of the composition. In the distance a build- 
ing and line of hills. The effect is in sunlight and the 
sky shows tints of gray and blue. 


Signed at the lower right. 


Dewitt Parshall, A.N.A. 
AMERICAN: 1864— 


6—OLD FARM, CATSKILLS yp 


ys: (/ Sa Height, 8 inches; length, 10 inches 


Farm buildings on the shore of a lake at the foot of 
a hill. Beyond the buildings are trees, and the back- 
ground shows the hillside extending to the top of the 


picture. 
Signed at the lower right. 


Helen Watson Phelps 


AMERICAN: CONTEMPORARY 


(—HOLLY HOCKS 


/ 0 Height, 11 inches; 


A suncH of hollyhocks, with pink blossoms, growing 
in a garden bed by the side of a pathway in the fore- 


ground. 
Signed at the lower right. 


Dewing Woodward 


AMERICAN: CONTEMPORARY 


8—DAPHNE | ss weg (0 3 
4% 4 


ore ee Height, 12 inches; width, 8 inches 


A sTAnpiINnG figure of a young woman in a pink gown 
looking at a bed of plants with white blossoms; back- 


ground of green foliage. 
Signed at the right. 


Harriette Bowdain 


AMERICAN: CONTEMPORARY 


9—ASBURY PARK 
es Vie Uy. of, ge sen 
Je Height, 9 inches; length, 12 inches Betcaw 


Numerots figures in vari-colored costumes on the 
boardwalk at Asbury Park. In the distance the sea 


and sky. 
Signed at the lower right. 


Ella Condie Lamb 


AMERICAN: CONTEMPORARY 


10—DAISY Cy : 


0 0 Height, 1114 inches; width, 914 inches 


Heap of a young girl with blond hair and blue eyes 
in full face view to the spectator. Around her neck 
is a chain of white daisies. 

Signed at the lower right. 


Lydia Longacre 


AMERICAN: CONTEMPORARY 


11—LANDSCAPE Wa we 


jai, go Mullboard: Height, 8°, inches; length, 12 inches 


Forecrounp: green pastures with boulders; beyond 
lie a hillside with trees and a distant range of hills; 
overhead a gray sky. | 
Signed at the lower right. 


Susan R. Knox 


AMERICAN: CONTEMPORARY 


3 
12—THE ROAD TO THE SEA, 


ny vo Height, 10 inches; length, inches 


A roapway in the middle foreground leading into the 
left of the picture, where there is a-large tree in sum- 
mer foliage; beyond is a view of the blue ocean and 
overhead is a sky with tints of pink and yellow and 
a space of blue. 


Signed at the lower left. 


A. West Salisbury 


CoNTEMPORARY 


13—HUDSON RIVER 


Ninn abanen 


Forecrounp: a stretch of the river. Middle dis- 
tance: the opposite shore, with buildings. Overhead: 
a sky with tints of pale yellow, pink and blue-gray. 


inches 


Lo 0) Height, 10 inches; length, 1 


Signed at the lower right. 


pie 


E. F. Quinn 


CoNTEMPORARY 
14—NUDE FIGURE e. Re 2 
— Height, 131, inches; width, 91% inches 


A sEATED nude figure, holding in the left hand a small 
mirror. The setting consists of a piece of red drapery 


and green foliage. 
Signed at the lower right. 


Ferdinand Earle 


AMERICAN: CONTEMPORARY 


15—IN THE ALPS re ny Atala 


yo Water Color: Height, 14 inches; width, 101%, inches 


Tue lower half of the picture is occupied by the smooth 
waters of a lake in which are reflected the wooded hill- 
sides of the opposite shore and a range of the Alps 
beyond. Overhead is a blue sky. 


Signed at the lower center and dated 1914. 


Edward H. Wuerpel, A.N.A. 


AMERICAN: 1866— aseby 
aoe. 6 oe ee 


16—LANDSCAPE, ST. LAWRENCE RIVER 
Height, 11 inches; length, 14 inches 


Tue lower part of the canvas is occupied by the pale 
green waters of the St. Lawrence River with a head- 
land on the left. Overhead is an early evening sky 
with pale gray clouds near the horizon, tints of pink 
and yellow above, and a strip of white cloud. 


Signed with monogram at the lower left. 


William Nicholson Taylor 


AMERICAN: CONTEMPORARY 


/ me BRIDGE +. & LOI Se 


Forrecrounp: a stream and its banks covered with A~ 
autumn herbage. In the middle distance is a viaduct 

with bridge crossing the stream. Beyond is a belt of 

trees in autumn foliage and a sky of bluish-gray. 


Signed at the lower right. 


Edward A. Bell, A.N.A. 
AMERICAN: 1861— 


en 


50 Height, 13 inches; width, 12 inches 
ae 


A HEAD and bust picture, with the head in profile to 
the right, of a young woman with auburn hair, Her 
shoulders are covered with drapery of warm-tinted 
gray-green, and the background presents a contrasting 
tone of qualified blue. 


Signed at the lower left. 


Lord Frederick Leighton, P.R.A. 
BritisH: 1830—1896 


19—STUDY OF we 
a CAA fe Height, 1434 inches; width, 1234 inches 


A prawine in black and white chalk on gray paper, 
showing a kneeling figure with voluminous folds of a 
cloak, and a cape held around the shoulders with 
folded arms. 


Met oS Fades 
Ali fetes | 


oan Ae 


(ao v-VW- BRAMALL 


Jerome Meyers 


AMERICAN: CONTEMPORARY 


20—CHILDREN AT PLAY (7. Ff cig 


ee 0° Pastel: Height, 14 inches; length, 13°, inches 


A view in one of the city parks. On the right, in the 

foreground, is a mother holding her baby in her arms, 

and a little child beside her. On the left is a group of 

_ children at play, and in the background are trees in 
spring foliage. 

Signed at the lower left. 


Frency: 1705—1765 


21—_CRAYON DRAWING ( y ; 


Oo : : : 
Sirdar Height, 161/, inches; width, 101% inches 


Carle Van Loo 
: 
: 
: 


A FULL-LENGTH seated nude male figure holding a large 
volume in the hands, which are extended to the right. 


Carlton T. Chapman, N.A. 
AMERICAN: 1860— 


22-THE OPEN SEA of. Ba ms Bos 


~ j g 0 Height, 12 inches; length, 15 inches 


———— 


A view in mid-ocean with the waves breaking into white 
caps, and overhead a sky of gray and white clouds 


with a space or two of blue. 
Signed at the lower left. 


Charles Bittinger, A.N.A. 


AMERICAN: 1879— 


es; length, 16 inches 


23—AFTER SUNSET 


mes 0° Water Color: Height, 12 % 


A youne woman with green jacket and white skirt is 
seated in the foreground on the flat sandy shore of the 
ocean. Beyond hes the sea and on the right is a head- 
land with hight. Over all is an evening sky with tem- 
pered tints of gray, pink and blue. 


Signed at the lower right. 


Henry Prellwitz, N.A. 
AMERICAN: 1865— 


24. A LULL IN THE ohn HE ae Tap he 


» oe _ Millboard: Height, 12 inches; length, 16 aad 


ForEGRounp: a level snow-covered plain. Middle dis- 
tance and distance: rising ground and hill-sides with 
groups of trees; a gray sky at the top of the com- 
position. | 

Signed at the lower left, and at the right. 


Mary Fairchild Low, A.N.A. 


AMERICAN : ConNTEMPORARY 


STH DOVE OF WAR. |\_ , : 
ee SO Height, 12 inches; length inches 


A DRAMATIC composition showing the waters of the 
Seine in the foreground with one of its banks on the 
left. On the right center looms up the bulk of Notre 
Dame of Paris against a sunset sky showing tints of 
yellow, pink and red, and clouds of gray. High up on 
the left is a German aeroplane pursuing its flight over 
the city. 

Signed at the lower left, and dated 1917. 


William Nicholson Taylor 


AMERICAN: CONTEMPORARY 


26—VENETIAN FRAGMENT vA 


pee ee Height, 16 inches; width, 12 inches 


THe motif for the picture is the entrance from one of 
the canals of a palace in Venice. The building shows 
walls of red with white mouldings over the arches and, 
on the right, is the forward part of a gondola. 


Signed at the wpper left. 


Thure De Thulstrup 


AMERICAN: CONTEMPORARY 


27—A MODERN QUEST EEA er , ath, 


-go Water Color: Height, 16 inches; width, 12 inches 


<< 
Cr 


A youneé woman in brown riding habit and brown 
leather boots, riding astride a fine gray horse as he 
makes a jump over a rail-fence. In the distance are 
other hunters crossing the fields. The figure and the 
upper part of the horse are in relief against a sky of 
blue-gray. 

Signed at the lower left. 


H. L. Hoffman 


AMERICAN: CONTEMPORARY 


28—_THE OLD HOME: OLD LYME, CONNECTI- 


cur Den: 
hay Te Height, 12 inches; length, 16 inches 
From a point of view in the foreground where are 


a field and trees with a few leaves clinging to the 
branches, one sees a stretch of country with a stream 
and belt of trees in the distance. In the forward 
plane stands a comfortable looking white house with 
green shutters. 

Signed at the left center. 


Edmund Greacen 


AMERICAN: CONTEMPORARY 


29—SPRING Hoi, eee 


[ | 0 Height, 12 inches; length, 16 inches 


In the foreground a grassy bank with trees in spring 
foliage; on the left, the expanse of a river with a 
landing-place and boats; beyond rise the shores with 
buildings and trees. Overhead a sky of gray and 
tempered blue. 

Signed at the lower right, and dated 1914. 


Walter Clark, N.A. 
AMERICAN: 1848—1917 


30—A NEIGHBORING HAILLSIDE %, 
BvS St. gU_ Height, 12 inches; length, 16 inehes 


Iy the foreground a roadway curves from the left into 
the middle of the picture, where there are groups of 
large trees. Sky of warm-tinted white and gray 


clouds. 
Signed at the lower right. 
Arthur J. E. Powell 
CoNTEMPORARY 
31—WINTER Ay 
{/ y 
( Height, 12 inches; length, 16 inches 
Op ee 


Tue dark waters of a stream occupy the foreground 
with a green punt pulled up on a snow-covered bank 
on the right. In the middle distance is a stretch of 
country with clumps of trees, and overhead a winter 
sky of gray and tempered blue, 


Signed at the lower right. 


F. Edwin Church 


AMERICAN: CoNTEMPORARY 


82--_HOLLYHOCKS. (3 


= />-40 Millboard: Height, 16 inches; width, 12 inches 


3 A mass of pink hollyhocks bordering a garden path- 
= way, and green foliage in the upper part of the pic- 
an ture. 

_ Signed at the lower left, and dated 1915. 


F. L. Stoddard 


ConTEMPORARY 


33—A WESTCHESTER HILLSIDE 


if () go Height, 12 inches; length, 16 inches’ yew, ee am Le 
sie ee 


A erassy slope diversified by rocks, with a group of 
small figures. On the right of the hillside a belt of 
trees and on the left, in the distance, a view of rising 
ground. Sky of gray with a space or two of blue. 


Ernest Albert 


AMERICAN: CONTEMPORARY 


4 WINTER BYENINE Cn 


/ Height, 12 inches; length, 16 inches 
7 p SU 


From an elevation in the snow-covered foreground, 
where there are several evergreens, the view includes 
a timbered hillside; overhead is an evening sky with 
tints of yellow, pink and pale blue. 


Signed at the lower right. 


Lida Wise Hickok 


ConTEMPORARY 
( 
35—ROSES oe Y ane 
[ er Height, 17%, inches; width, 10 inches 


A suncH of red roses in a blue vessel which is sus- 
pended from a gray wall, forming the background for 


the flowers. 
Signed at the lower right. 


Edward A. Bell, A.N.A. 
American: 1861— 


36—THE SHEPHERDESS 3 eS pees 
ape Height, 14 inches; ot Ab 1614 inches 
In the right foreground, seated on the grass, is a young 
shepherdess, with white blouse, blue skirt and apron, 
and a red kerchief on her head. On the left is a little 


: stream and beyond are pastures. At the edge of a 


wood are several sheep. 
: - Signed at the lower left. 


Raymond M. Crosby 


AMERICAN: 1876— 


37—_CAPE COD IN WINTER Cl fk a ee 


e. ; mk 0 Height, 14 inches; length, 1614 inches 
j : 


Forrecrounp: a snow-covered slope with bushes red 
and brown. Middle distance: a clump of trees on a 
hillock. Beyond are an arm of the sea and a distant 
shore under a sky of blue-gray. 


Signed at the lower left. 


Emma Lampert Cooper 
AMERICAN: CONTEMPORARY 
38—THE LITTLE SHOP: HOLLAND . \Y 
jie (j US Hehe tanec re ) 


1234 mches \ 


THe picture shows a cottage interior with a counter 
in the foreground on which are some earthen vessels. 
Standing behind the counter is a woman in gray-blue, 
with a red kerchief about her shoulder, about to dip 
up something from a bowl, On the left is a small win- 
dow and back of the figure is a shelf with jars and 
bottles. A pair of scales hangs from the rafters, and 
in the immediate foreground on the left is a chair. 


Signed at the lower right. 


Ella Condie Lamb 


AMERICAN: CONTEMPORARY 


39—A TOUCH OF FROST 


a ae Height, 18 inches; width, 14 inches(\ LY) 
i Ne NT K if 
In a wood, with the herbage of ah open space appear- 


ing in the foreground, is a tree on the left with its 
branches extending outward, its leaves turned red by 
the first touch of autumn frost. On the right beyond 
is the mass of the forest and above is a sky of dull 
blue and gray. : 

Signed at the lower right. 


Louis M. EilShemus 


AMERICAN: OTL) A 
Ratan 
40—CRANSTON’S POINT: HUDSON RIVER 


v Bice 
ce view of the Hudson with the Readiand crowned by 
the hotel on the right. A sailboat is seen in the river 
on the left and beyond are the wooded shores. Over 
all a summer sky with white clouds and pale blue. 


Water Color: Height, 13 inches; length, 191, inches 


Signed at the lower left. 


Roswell Morse Shurtleff, N.A. 
AMERICAN: 1841—1915 


40,—FALLING LEAVES ieee, C gets 


L pee, Height, 12 inches; length, 16 inches 


Ve A woop interior with a pool in left foreground and a 
i large tree-trunk forming a prominent feature in right 
: center. The trees of the woods beyond show autumn 
% foliage and through the openings appears a sky of 
: gray. 

Signed at the lower left and on back of canvas, with title. 


Donated by Mrs. R. M. Shurtleff. 


William H. Lippincott, N.A. 
American: 1849— 


41— BLANCHE, FRENCH PEASANT CHILD 


50 Height, 19 inches; width, 17 i es vi 

ele es elg inches Gis ae y, 
A HEAD and bust picture of a child in full face to the 
spectator wearing a little cap of white on her blond 


curly locks, and a blouse of light blue. 


Signed at the lower right. 


Eliot Clark, A.N.A. (Elect) 
AMERICAN: 1883— 


| 04 
42--DISTANT COUNTRY OA ae = 


( / te Height, 14 inches; length, 20 inches 


— 


Forrecrounp: rolling pasture lands with a large tree 
in autumn foliage on the right. ‘Through the middle 
distance runs a belt of forest and beyond appears a 
wide stretch of country with hills in the distance. ‘The 
late afternoon sky of pale yellow, blue, and gray 
shows a few pink clouds floating. 


Signed at the lower right. 


V. Seydel 


ConNTEMPORARY 
43—_W HITE PEONIES C2 2 p-Bit- 
Porte Height, 15 secrets length, nches 


A exass bowl holding a bunch of white peonies and 


green leaves. , 
Signed at the lower right, and dated 1914, 


Harriet Sartain 


AMERICAN: CONTEMPOR 


A 
44—4A COUNTRY GARDEN Sep . ( ign eee 


/ Pg Height, 15 inches; length, 20 inches 


A LAwn and garden beds, with borders of flowers in 
bloom occupying the foreground. In the upper half 
of the picture are a barn with whitewashed founda- 
tion, and the foliage of trees on the left. In the right 
upper corner a bit of blue sky. The effect is in gentle 
sunlight. 


Signed at the lower right, and dated 1917. 


is 7 Sa Height, 16 inches; length, 20 inches 


ye 


0. 2 


* 


Cullen Yates, A.N.A. 
AMERICAN: 1866— 
45—UPLANDS | ae 


~~ 


hee 


Forrcrovunp: a little stream running from left to cen-— 
ter, and on the right a group of saplings in autumn 
foliage. Middle distance: rolling fields. Distance: 
a hillside. Sky: blue with white clouds. 


aimee eh i a en a ee 


Signed at the lower right. 


F. Usher De Voll 
AMERICAN: CONTEMPQGRARY,, 


46—EARLY. SPRING: CENTRAL PARK SOUT 


2 Height, 20 inches; width, 16 inches 
ForEecrounp: the lake in Central Park near 59th 
street with pathway and hillside appearing on the 
left. Beyond, on either side, are some of the high 
buildings, hotels and apartment houses of the city, and 
over all is a sky of warm tinted gray. 


Signed at the lower. left. 


H. Leith-Ross 
OS ge 
47—THE BRIDGE AT NEW HOPE 
3 poe a Height, 16 inches; length, 2014 inches 


Tue waters of a river occupy the right foreground and 
on the bank, at the left, are some trees with twisted 
branches. In the middle distance a steel bridge cross- 
ing the river, and houses and trees on the opposite 
shore, Above is a‘sky of gray. 


Signed at the lower right. 


Thomas Nast 


AMERICAN . Y 
. 48—DRAWING: WASHINGTON 


0 
es Height, 23%, inches; width, 1514 inches 


A pen and ink drawing, showing a figure of Liberty 
removing an American flag from a sculptured portrait 
of Washington which appears on the base of a monu- 
ment with a tall shaft. On the shaft are inscribed the 
names of the States of the Union. In the background 
appear a great multitude of people, the Capitol and 


other buildings. 
Signed at the lower left. 


Jeanne Cattrel Carre 


CoNTEMPORARY 


49—WINTER mi nw eA 


Height, 16 inches; length, 22 inches 


/ naam 
A sNow-coveERED landscape with a hillock and an oak 
tree on the right. In the middle distance, among the 
bare trees, is a cottage with low sloping roof. In the 
distance a belt of trees, and overhead a blue winter sky 


with a strip of white cloud. 


ES SERIES 
= he 38 y | Ge ae ee ie 


Signed at the lower right. 


Alice Worthington Ball 


AMERICAN: CONTEMPORARY 


s “ yj , d 
50—HOLLYHOCKS Hs Th é 


i oO ens Height, 22 inches; width, 16 inches 
In the foreground, along a white paling fence, are tall 
hollyhocks with pink blossoms. Beyond is a bit of 
grassy hillside and a white house shining in the sun- 
light. In the upper part of the picture, a sky of tem- 


pered blue. 
Signed at the lower right, and dated 715. 


Jules Tureas 


AMERICAN: CONTEMPORARY 


51—A CONNECTICUT LANE ee ae: 
Height, 24 inches; 


¢° width, 14 inches 
At er 


In the foreground a Wanda? bordered by a stone 
fence, in which are a cart, drawn by two red oxen, 
and a man with a white shirt. Across the picture, 
bordering the roadway, is a line of tall trees, and 
overhead is a sky with white clouds. 


Signed at the lower left. 


George H. Clements 


AMERICAN: CONTEMPORARY 


52—CAPE COD ag ee NAPE 


2 ye Height, 16 inches; length, 22 inches 
Forrecrounpn: the shores of an inlet with herbage and 
large boulder. Middle distance: on the right a hill- 
side with trees; on the left the opposite shore. Over 
the tree-tops the sails of a passing ship are seen, and 


above is a sky of gray. 
Signed at the lower right. 


J. Stone 


CONTEMPORARY © 
58—WOOD INTERIOR ue os 
ll v4 Height, 22 inches; width, 16 inches 
—— 


A patH leads through the grass of the foreground 
through a pine forest with the branches and foliage 
of the trees filling the upper part of the canvas. 


Signed at the lower right. 


Jane Peterson 


AMERICAN: CONTEMPORARY 


ae HITE BOAT 
54—THE WHITE BO nd 


ee Water Color: Height, 18 inches; length, 2334 inches 


A wHitE sailboat is seen on the left of the picture tied 


at a wharf. On the wharf are buildings and people 
and another boat appears moored farther away on the 
right. The water of the foreground reflects the varied 
tints of the buildings, personages, and the blue sky. 


Signed at the lower right. 


prc ei 


Oe a Ee a = 
_ — — — - 


st I a eg eas 
ee 


| 
| 
| 
f 
f 


Dewing Woodward 


AMERICAN: CONTEMPORARY 


55—A DRAGON-FLY sd a ie eee 


| 3 {Re Height, 18 inches; length, 24 inches 


Two nude figures of children, a little boy and a little 
girl, seated in the foreground and looking upward to 
the right where a dragon-fly is seen flying above a 
grassy hillside. | 


Signed at the lower right, and dated 1916 


Clark G. Voorhees 


AMERICAN: CONTEMPORARY 


56—LANDSCAPE oh =r qe Peotug, ‘2 


3 pe Height, 18 inches; length, 24 inches é 


ForEGrounp: pastures and a stone fence; beyond, 
belt of trees and overhead an autumn sky of gray with 


little spaces of misty blue. 
Signed at the lower right. 


J.S. Kaufman 


CoNTEMPORARY 


57—CHAMOIS HUNTING IN SWITZERLAND 


/ J) 00 Height, 24 inches; width, mee 


Bounpine over the rocks in the right foreground 
which overhang a gorge are three chamois, while at 
some distance away on a ledge of the high cliffs is seen 
the smoke of a hunter’s rifle. Above, in the distance, 
on the left, beyond the gorge, are mountain tops and 
a sky with clouds tinged with orange. 


Signed at the lower left. 


Edith Mitchell Prellwitz, A.N.A. 
AMERICAN: 1865— 


58—THE POOL [) 
ame D Height, 18 inches; length, 221, inches 


Ix the middle foreground a pool in the meadows in 
which two girls are bathing. On the left is a clump 
of trees, and on the right a stretch of country with 
a line of wooded hills. Above, a sky of gray-blue with 
one or two strips of white cloud. 


Signed at the lower left, and dated 1906. 


Edward Lind Morse 
AMERICAN: 1857— 


59—THE SWITCHLIGHT Be Ae BiG Ee 


Go 
yee — Height, 18%, inches; length, 25 inches 


In the foreground are two trees, the upper branches 
bare of foliage, beyond which is seen a level stretch of 
country with a line of trees. In the left center glows 
a switchlight where the railroad tracks pass through 
the country, and beyond is a range of hills. Overhead 
a late evening sky of gray-blue shows strips of light. 


Signed at the lower left. 


Walter Nettleton, A.N.A. 
AMERICAN: 1861-— 


LL S 58 | Height, 20 inches; length, 2314, inches Ra or 
“em ——— 


In the snow-covered foreground are the trunks and 
branches of several large pine trees reaching up to the 
top of the picture; beyond is an open space where the 
snow gleams in the sunlight, and farther away is the 
wood. In the upper left portion of the canvas a bit 
of blue sky shows through the branches. 


60—THE EDGE OF THE WOODS_/. /) . 
To bis 


Signed at the lower right. 


ef 0 Height, 26 inches; width, 16 inches 
oS ———" 


36 


William Baxter Closson, A.N.A. 
AMERICAN: 1848— 


61—THE SPIRIT OF FIRE se: 


cf 


A FULL-LENGTH figure of a young woman in dancing 
posture, her arms extended and her drapery of yellow 
and red whirling about her. On either side of her, in 
the background, are accompanying figures in blue. 
The color scheme suggests the title of the picture. 


Signed at the lower left, and dated 1916 


Henry Salem Hubbell, A.N.A. 
AMERICAN: 1870— 


62—THE PIED MANNEKIN | 
Height, 26 inches; width 18% ie - 
Roatan , ae | 


A THREE-QUARTER length seated figure of a young girl 
with brown hair, which is tied by a green ribbon. The 
figure, in an arm-chair of blue, green and gold, is seen 
in profile view to the left. The young woman wears 
a gown of white with a scarf with white, violet and 
green pattern about the shoulders and arms and a 
fichu around the neck. In her hands, on her lap, she 
holds a little mannekin with scarlet horned cap and 
green and white jacket. The background shows a wall 
covered with flowered paper and a shelf on which are 
some vases and jars of pottery and brass. 


Signed at the lower right. 


W. Sergeant Kendall, N.A. 
AMERICAN: 1869— 


, : /, 
68—L’EGY PTIENNE ae, S 
ee Pena DA en 
ee Height, os inchés> width, 19 inches 


A LiFE-sizE head and-bust picture of a young woman 
with dark hair, the head in profile to the left. Her 
low-neck gown shows tints of qualified pink, and white 
drapery fills the upper part of the corsage. 


Signed at the upper left. 


Jane Peterson 


AMERICAN: CONTEMPORARY 


64—4A GRAY DAY YW. ioe cane 


/) / Water Color: Height, 18 inches; length, 24 inches {/ 


A wHargor’ scene with boats lying at a wharf, with 
buildings at the left of the picture. The gray sky 
and shipping are reflected in the water in the fore- 


ground, 
Signed at the lower left. 


Dorothea M. Litzinger 


AMERICAN: CONTEMPORARY 


65—AUTUMN FLOWERS named Meee 
as 


= Height, 20 inches; length, 24 inches 
A suncu of red, yellow and white zinneas, with green 


leaves, in a bowl. 
Signed at the upper left, and dated 16. 


George Elmer Browne 
AMERICAN: 1871— 


c 


66—A BREEZY DAY AT ETAPLES 
9 ' J 0 Height, 25 inches; width, 21, inches 


Tue lower half of the picture is occupied by a stretch 
of flat country with belts of forest. Above is a blue 
sky with great white clouds swept onward by the 


wind. 
Signed at the lower left. 


H. S. Phillips 


AMERICAN: CONTEMPORARY 


67—_THE GARDENER’S DAUGHTER 


06 Height, 26 inches; width, 231/ chet VL 2 Sa hiieg 
——— 


A FULL-LENGTH seated figure of a little girl in full face 
view wearing a white bodice and light gray-green skirt. 
Beside her, on the left, is an earthen pot with a grow- 
ing plant. 

Signed at the lower right. 


Ann Crane 


AMERICAN: CONTEMPORARY 


68—WINTER YY 


ood Ce Height, 23%, inches; length, 26 inches Lh rekon 


Forrcrounp: a sloping hillside, partly covered with 
snow, with dead herbage and, at the left, a tree with 
some brown leaves still clinging to its branches. In 
the middle distance a stretch of country with several 
houses standing on the edge of a wood. Beyond rises 
a hillside crowned with trees and above is a strip of 


pale blue winter sky. 
Signed at the lower right. 


e eat 


Ernest T. Rosen 


AMERICAN: CONTEMPORARY 


69—LIGHTS AND Sia 
7 
Ra 0 Pastel: Height, 28°, ine (ss 


A FULL-LENGTH standing figure of a young woman 
with light auburn hair, wearing a gown of blue with 
fichu and pendent scarf of pink. The body is in pro- 
file view and the head tilted backward to the right. 
The setting for the figure is an apartment with hard- 
wood floor and the light falls from the left. 


Signed at the lower left. ; # | 


Ben Carre 


CoNTEMPORARY 


Lise 


70—A STORMY EVENING, PRYNCE’S BA!‘ 
Height, 22 inches; length, 27. inches 


Forrecrounp: the grassy shores of a river with trees 
in the center and left of the picture. On the right, 
the expanse of waters and the distant shore; overhead — 
an evening sky with clouds illumined by the setting sun 
after a shower has passed. 

Signed at the lower right. 


Gordon Ross 
CoNTEMPORARY 


71—LANDSCAPE Q 


Pastel: Heigh j ; wi i 
560 ight, 28 inches; aa 23 inches 
Forrcrounp: meadows with a stream in the center. 
kg On the bank at the left a tall full-foliaged tree, and 
beyond, on the low horizon, buildings and a belt of 
trees. Above rises a high sky with gray and white 

: clouds and some spaces of blue in the upper part. 


Signed at the lower right. 


William H. Hyde, A.N.A. 
AMERICAN: 1€58— 


72—_THE APPROACH OF WINTER 


2 ga Height, 22 inches; length, 28 Te nti ee 


Forrecrounp: a field with brown and yellow herbage; 
on the right the trunks and branches of two trees 
which extend to the top of the picture. On the left, 
some small trees in autumn foliage; beyond lies a 
stretch of country, and the picture is completed by a 
sky of gray clouds with a space of pale blue. 


Signed at the lower left, and dated 1917. 


pee 


H. Des Fontaines | 


FreNcH: CONTEMPORARY 


43—THE PORTIERE YY. VW io 


ea Height, 23¥, inches; length, 29 inches 


THe picture shows a well furnished apartment with an 
armoire, a tapestry on the wall, a large arm-chair, a 
table with books and a bunch of flowers, a mirror and 
pictures. ‘Two women, one the mistress of the house 
in a morning dress of white, the other a maid in 
black with white apron and cap, are holding up a green 
and pink portiére which they have taken from the 


armoire for inspection. ‘ 
Signed at the lower left. 


Henry Oliver Walker, N.A. 
AMERICAN: 1843— 


74—WEEPING NYMPH : | ay 


ae? Pastel: Height, 32 inches; width, 20 inches 


—— 


In the right foreground is a seated nude figure, in back 
view to the spectator, the left hand raised to the head 
and held over the eyes. The setting for the figure is 
the edge of a wood with the branches and foliage of 
some great trees. Beyond, through the interstices, are 
seen a hillside and a sunset sky. 


Signed at the lower left. 


Chester Loomis, A.N.A. 
AMERICAN: 1852— 


woe COUNTRY CHURCH: Bim Cachet. 
v 


Height, 241% inches; length, inches 


ao 
Forercrounp: a level green plain, partly in shadow, 
with some slender trees on the right. In the middle 
distance, among the trées, a white church with belfry 
and a house with red roof. Beyond is a range of moun- 
tains. Above the low horizon rises a sky filled with 


gray and white clouds except in the upper part where 


eT ; 
: I : ' 


there are spaces of blue. 


Signed at the lower right, and dated 1914. 


Elmer E. Garnsey 


AMERICAN: 1862— 


76—THE OPAL SHORE Wr xt 


go 
/ 0) aa Height, 25 inches; length, 30 inches 


Forrecrounp: a sandy sea-shore with a dark purple 
shadow cast from the left. Middle distance: a hillock 
with white walled houses and crowned by trees and, on 
the right, a view of the sea. Overhead, a sky of green- 
ish-yellow with tints of rose-purple at the horizon. 


Signed at the lower left, and dated 1916. 


/ 


L. Calust 


CoNTEMPORARY 


Height, 30 inches 25 inches 


Tuer lower half of the picture is occupied by the wide 
expanse of the sea, with a fisherman in the bow of his 
row-boat hauling in a net. Farther away, on the 
right, two sailing vessels are indicated, and over all is 
a gray sky with pink, red and yellow tints in the upper 


part. 
Signed at the lower right. 


Mary Brewster Hazelton 


AMERICAN: CONTEMPORARY 


78—_THE ABSENT ee [3 QO 


=) yo Height, 30 inches; width, 25 inches 


A sEATED figure of a young girl, wearing a fur-trimmed 
robe of iridescent blue. In her right hand, which rests 
on a round-top table, she holds a miniature at which 
she is gazing with sympathetic expression. On the 
table is a slender glass holding white narcissi and yel- 


low daffodils. 
Signed at the lower right, and dated 1917. 


71—THE FISHERMAN YS y 
Be 


Fie 


Tg 


William J. Whittemore, A.N.A. 
AMERICAN: 1860— 


79—SMILING GIRL eas yi (Y 
TALC Soe 


Height, 30 inches; width, 25 inches 


A THREE-QUARTER length seated figure of a young girl, 
her brown hair dressed with a tortoise shell comb, in 
three-quarter view to the left, the head turned to the 
right to face the spectator. She wears a high-waisted 
gown of white, holds in her lap a book and on her left 
arm hangs a shawl with pattern of blue, red and yel- 
low. The background is formed by a piece of tap- 
estry with trees and foliage. 


Signed at the lower right, and dated 1909, with Copyright. 


A. Castaigne 


AMERICAN: CONTEMPORARY 


80—CATASTROPHE AT SEA 


Y 
) nm) Height, 24 inches; length, 35 inches 

Tuer composition shows the decks of an ocean liner, 

filled with passengers and sailors, which has struck an 

iceberg which looms up on the left. The sailors are 

lowering a life-boat and among the people in the fore- 

ground is an officer giving orders and enforcing a com- 


mand with a gesture of his left hand. 


Signed at the lower right. 


John H. Niemeyer, A.N.A. 
AMERICAN: 1839— 


81—4APPRECIATION pun AV. a 
vi rota Height, 33 inches; width, 21 inches 


A FULL-LENGTH standing figure of a young woman in 
back view, wearing a gown of lilac with over-dress and 
sleeves of lace. She is depicted facing a wall with 
striped paper of green and gray, looking at a picture 
of a winter scene, 


Signed at the lower right, in the shadow of the figure. 


William H. Singer, Jr., A.N.A. 


“AMERICAN: merce Ly . 
Ae 


82—OLDEN FARMS, MAY MORNING ~ 


‘ 


/ e-62_  — Height, 311% inches; length, 334, inches 


A view in the mountain country of Norway, with the 
green and brown fields of a farm occupying the lower 
part of the composition. Near the middle of the pic- 
ture is a pine tree, its topmost branches appearing 
in relief against the snow-covered tops of a range of 
mountains. Farm buildings are seen near the right 
center. In the upper right hand portion of the com- 
position is a sky of gray-blue. 


Signed at the lower right. 


William De Leftwich Dodge 
AMERICAN: 1867— 


88 MOONLIGHT IN GEORGIA (7. \Y, 


/ oY Height, 39 inches; width, 29 inches 


On the left of the composition is the trunk of a large 
tree with its drooping foliage filling the upper part 
_ of the picture. Beyond a level space, which is illumined 
by the moonlight, is a belt of forest. In the right up- 
per portion appears a sky of gray-blue with accents 
of white. | 


Signed at the lower right. 


j 
- 
i 
be 
k 
7 

! 


Sydney H. Hirschberg 


eras, AMERICAN: CONTEMPORARY 


84 THE PURSUIT eee ors Goat Lp. 


i, jj Bag Height, 30 inches; length, 36 inches Maa 
A Uwnirep Srates soldier in blue uniform is depicted . 
riding at full gallop on a white horse as he advances 
toward the spectator, on the right of the picture. Be- 
hind him, following on the left, are two other cavalry- 
men, also riding furiously in pursuit. The effect is in 
moonlight and heavy shadows are cast by the horses 
and the trees on the side of the road. 


Signed at the lower left, and dated 1918. 


Artist Unknown 


85—FLOWERS AND UIT 


fe , ] y Maa Height, 28 inches; length, 66 ey 
In the middle of this decorative composition is a large 
brass vase in which are disposed roses and other flow- 
ers with many colored tints. On either side, lying on 
the table, are other blossoms and with the-flowers are 
mingled bunches of grapes. 


SECOND AND LAST EVENING’S 
SALE 


FRIDAY, MAY 4, 1917 


AT 


THE AMERICAN ART GALLERIES 


BEGINNING PROMPTLY AT 8.15 O CLOCK 


Catalogue Nos. 86 to 169, inclusive 


Elliott Daingerfield, N.A. 


AMERICAN: 1859— 


86—THE CANYON RIM C af SZ, 
90 Vp yr 4 w~7 
aS Height, 8%, inches; length, 10% smMches l 
4 yah 2 Aa 


( 


A LanpscareE showing a view of the (ara Canyon of 
Arizona, from rocky heights which occupy the fore- 
ground. Two trees near the center of the picture are 
in relief against the distant view and the sky of blue 


with white clouds. 
Signed at the lower left. 


a 
ya 


Thomas W. Dewing, N.A. 
AMERICAN: 1851— 


87—PASTEL ve Wx a Lee av, 


¢ 6 Height, 1014, inches; width, 7 inches — 
[pac 


A FULL-LENGTH standing figure of a young woman in 
three- “quarter view to the left, her right arm extended 


and holding in the hand a part of the drapery which © 
clothes the figure. 


Signed at the aeereaata : ce ? 


George H. ‘Story, A. NA. ‘ 
American: gates oe ak 


4 6 | Height, 11 inches; widen, 9 inches | 
— } i 
A HALF-LENGTH picture of a young woman in profile 


view to the right with her canvas on an easel peony 
her and a background composed of a landscape view. 


88—THE FAIR SK ETCH ER 
\ 


Signed at the Pier left. 


Robert Reid, N.A. 


AMERICAN: 
89-—THE BLACK HAT OF ( ea a 
3 ( ( Aadle Height, 14 inches; width, 10 inches 


A HEAD and bust picture of a young woman in three- 
quarter view to the right. She wears a wide-brimmed 
hat of black straw, a blouse of pink and a necktie of 
black. The background is composed of light green 
foliage with the indication of a paling fence. 


Signed at the lower right. 


Ivan G. Olinsky, A.N.A. 
AMERICAN: 1878— 


90—ANNA : ete: MY. Wie CG 
a | Lae Height, 14 inches; width, 12°%4 inches . S 


A weap and bust picture of a young girl with brown 
hair, in full face view, wearing a jacket of pale green. 


Signed at the lower right. 


Ben Foster, N.A. 
AMERICAN: 1852— 
91—-LANDSCAPE Ly 


a 4 ces Height, 12 % s; length, 15 inches 


Forrcrounp: level fields with some cattle grazing. Be- 
yond lies a hillside crowned with forest; overhead: a 


gray sky with dark clouds. 
Signed at the Sieber left. 


W. Granville-Smith, N.A. 
AmERIcAN: 1870— 


92—_LANDSCAPE . L 
cary, ( _ ul | 


vi ” 6 Height, 12 inches; length, 16 inches 


— 


ForEGrRouND: a river on the left and trees and shrub- 
bery on the bank at the right. Across the stream is 
a stretch of fields with trees and, in the distance, a 
line of hills: over all a sky of light gray. 


Signed at the lower right, and dated 1917. 


Chauncey F. Ryder, A.N.A. 
AMERICAN: 1868— 


983—OGUNQUIT COAST + nd g C 


ices 6 Height, 12 inches; length, 16 inches 


Forrecrounp: a rocky shore. Middle distance: the 


= blue water of an arm of the sea. In the distance ap- 


pears the farther shore and overhead is a sky of white 
and gray with atmospheric blue in the upper part. 


Signed at the lower right. 


Frederick Ballard Williams, 
N.A. 


AMERICAN: 1871— 


94 LANDSCAPE i, Ah lithe 


7d 0 1 dad Height, 12 inches; length, 16 inches 


Forrecrounp: gray-green pastures with bushes and, on 
the right, a stone fence, Middle distance: a belt of 
trees with a white house. Beyond: a range of wooded 
hills and a sky of blue with white clouds. 


Signed at the lower right. 


J. Francis Murphy, N.A. 
AMERICAN: 1853— 


95—AUTUMNAL LANDSCAPE 


i sO ( Oley Height, 12 inches; length, 16 inches 


In the foreground are level pastures with herbage show- 
ing autumn tints and a little pool indicated in the 
right center. On the left are trees in autumn foliage 
reaching up to the top of the picture. Nearby are 
other trees and bushes, mostly denuded of leaves. In 
the distance are farm buildings and a range of hills 
and above is a sky showing clouds of gray and tem- 
pered white with a space of qualified blue in the upper 


portion. 
Signed at the lower right, and dated 1917. 


Charles H. Davis, N.A. 


AmERIcAN: 1856— 


96—_SUMMER MORNING Pg Ss 


/ S kai rs) Height, 12°, inches; length, 16 inches 


Forrcrounp: herbage and large boulders with slender 

trees, the foliage appearing in the upper part of the 
picture. In the middle distance are the blue waters of 

~ a river and beyond are the farther shores, partly 
| wooded, and a summer sky of qualified whites and 
blue. The effect is in sunlight with part of the fore- 


ground lying in shadow. 
Signed at the lower right. 


Charles Caryl Coleman, A.N.A. 
AMERICAN: 1840— 


97—_VESUVIUS: A VIEW seh KAR lk 
THE ISLAND OF ISCHIA 


g G6 
3 —Pastel: Height, 1014, inches; length, 17% inches 


Ne war 


EEE 


THE view is from grassy heights in the foreground 
where a hamlet is seen nestled among the trees. On 
the left is the expanse of the sea; in the. distance, 
near the center of the picture, appears Vesuvius with 
smoke rising from its crater, and on the right, in the 
evening sky, is the rising moon. 


Signed with monogram at the lower right, and dated 1904. 


Se eae 


Henry Prellwitz, N.A. 
AMERICAN: 1865— 


98—ROSES Cr (S Bics 


sae ish fom) Height, 17 inches; width, 13 inches 
Pink roses in a glass vase with a background of green 


curtain. 
Signed at the lower left. 


Will H. Low, N.A. 
American: 18538— 


99—_GLORIA NEE & Sale 


(Drapery Study for Mural Painting in New York State 
3 4 d¢ 


Education Building, Albany, N. Y.) 


Height, 1714 inches; width, 131, inches 


A FULL-LENGTH figure of a young woman in full face 
view, seated on a bench. She is clad in a drapery of 
yellow and holds in her hands a crown of bay leaves, 
while other crowns are at her side, on the right. 


Signed on the left, and dated 1915. 


John Flanagan, A.N.A. 
AMERICAN: 1§65— 


100—-HEAD OF APHRODITE 


bh a (Medallion—Galvano ay, , c pa Ae 
B) iy Oe: Diameter, 41/, inches 


A MEDALLION with the head of a young woman in pro- 
file to the right. The left hand appears on the right, 
touching the back of the neck. 


Signed at the left with initials J. F. 


ba Evelyn B. Longman, A.N.A. 
| AMERICAN: 1874— 


101—_FEMALE TORSO 


(Bronze Statuette) ees REG 


ome 
a — Height, 12 inches 


Tue torso, right thigh and left leg of a nude female 
seated figure. The movement shows the torso inclined 
slightly to the right as it is looked at in front view. 


Signed on the side of the pedestal, and dated 1911. 


Paul Wayland Bartlett, A.N.A. 
AMERICAN: 1865— 


102—PREPAREDNESS mM . Tenertaban Ly 


(Bronze Statuette) 


Be () Sie Height, 121% inches 


An American Eagle, standing, firmly perched on a 
rock, wings folded and head erect. On front of the 
rock and clutched by the eagle’s talons, a United 
States shield and a ribbon with inscription: “Pre- 
paredness.” cS 


Signed on the base, and dated 1916. Copyrighted. 


Daniel Chester French, N.A. 
AMERICAN: 1850— 


103—VANITY é Nritebs 
(Bronze § mee ' 


Wa (| yo Height, 121, inches 
A FULL-LENGTH nude standing figure of a young wom- 
an, gracefully poised as she inclines her head forward 
and looks into the surface of a metal disk which she 
supports on her left arm. 


Signed on the base, and dated 1901. 


A. Sterling Calder, N.A. 


AMERICAN: 1870— 


104—STUDY FOR STATUE OF HISTORY 


(Bronze Statuette) ce ae a SS eis Ke 


as SY Height, 171, inches 


A sEATED figure of a young woman, her right arm rest- 
= ing on a book and the hand touching the side of the 
@: head. The left arm lies across her lap with the hand 
holding the lower part of the book. Draperies of the 
Greek fashion hang from her shoulders and cover the 


body with their folds. 


Hermon Atkins MacNeil, N.A. 
AMERICAN: 1866— 


105—PRIMITIVE CHANT 


(Bronze Statuette) 


y J u Height, 251, inches 


A youne Indian brave in posture of the dance, his 
chin buried in the elbow of his right arm, which is 
folded and supported at the wrist by the left hand. 
Around the loins is a breech cloth with a pair of 
wings at the back; in the hair an eagle’s feather. 


Signed on the base, with inscription: “Primitive Chant.” 


Madame Francois Millet 


(DavuGHTeR-IN-LAW oF JEAN Francois MILueT) 


106—HEAD OF A ee sea 


50) d 6 Height, 19 inches; width, 15%4 inches 


AN 


A HEAD and bust picture of a young woman with black 
hair and wearing a black bodice. The head is turned 
in three-quarter view to the left and the eyes look 
upward, : 


Frank W. Benson, N.A. 
AMERICAN: 1862— 


107—EARLY MORNIN e 


FY geWater Color: Height, 13%, inches; length, 191, inches 


A wipDE expanse of water, with a little island and 
patches of reeds, in which are swimming many ducks. 
Above, against the sky, several ducks are seen in 
flight, one falling, which has been shot by a hunter. 


Signed at the lower left, and dated °16. 


John Ward Dunsmore 
AMERICAN: 1856— 


108—OLD FRIENDS : 
Bed. 
Y Fs ie Height, 16 inches; width, 12 inches | 


Ty a comfortable room with a fireplace on the right, a 
tall clock in the corner, and a table bearing a de- 
canter and glass, a gentleman in red coat is seated 
astride a chair with his back to the fire, while he 
smokes a long clay pipe and looks at his dog who is 
standing beside him. 


Signed at the lower left, and dated 1916. 


% Frederick ee Williams, 
A 


AMERICAN: 1871— 


109—NEAR POMPTON, N. i) , Ficos y 


/&U OL Panel: Height, 12 inches; length, 16 inches 


Forrcrounp: autumn pastures with gray boulders. 
Middle distance: in center and on left a group of 
trees; beyond, a white church spire and other indica- 
tions of a village embowered amid the trees. Distance: 
a hillside and a sky of gray clouds above. 


Signed at the lower right. 


Charles P. Gruppe 
AMERICAN: 1860— a 


» 


110—CALEDONIA ea : | : 
ase ve Height, 18 inches; width, 15 AC, 
A streAM in the foreground makes a bend around its 4 
bank, on the left, where there is a group of trees, the 
foliage reaching to the top of the canvas. On the 
right are pastures with grazing cattle and a distant 
range of hills. Sky of gray clouds and tempered 
blue. 

Signed at the lower right. 


William A. Coffin, N.A. 
AMERICAN: 1855— 


111—OCTOBER EVENI 


/ cai qf Height, 15 inches 


In the foreground are grassy stretches and boulders; 
on either side of the picture are trees with autumn 
foliage reaching up to the top of the canvas and 
framing in a view of a lake and distant hills. Above 
is an evening sky, warm-tinted at the horizon and 
graduating upward into tempered blue. Near the left 
center is the crescent moon. 


ngth, 1814 inches 


Signed at the lower right. 


Emil Carlsen, N.A. 
AMERICAN: 1853— 


112—EVENING Ht, Joh th 


ae _ 06 Height, 15 inches; length, 18 inches 


Tue lower half of the composition is occupied by a 
wide stretch of sandy-shore. In the middle distance 
is an estuary of the sea with a sailing vessel. Beyond 
rises a range of hills indicating the opposite shore. 
Overhead a sky of tempered qualified grays. 


Signed at the lower left. 


Bruce Crane, N.A. 
AMERICAN: 1857— 


7 ere abe : 
: 113—ON ee FARM TV. Tox nedlin eee 
: 4 a2 O- Height, 16 inches; length, 20 inches 

| 

. 


Forrcrounp: a field with three shocks of corn. Mid- 
dle distance: a barn, on the left, a hay-stack and an- 
other barn painted red with white trimmings, near 
which stands a tree. Beyond is a belt of foliage and 
overhead a sky of qualified blue. The effect is in 


sunlight. 
Signed at the lower right. 


Douglas Volk, N.A. 
AMERICAN: 1856— 


114—4 WOOD NYMPH nO) ae 
ae Height, 20 inches; /width, 13 inches 


In the foreground a seated nude figure, in profile to 
the right, of a young girl with long golden hair bound 
with a chaplet of green. Seated on a rock on the edge 
of a pool she looks pensively downward into its placid 
depths. The setting for the figure shows a dark shady 
recess in the woods with an overhanging rock and 
autumn fohage. A little stream trickles over the rocks 
into the pool. 


Signed at the lower right. 


William H. Howe, N.A. 
AMERICAN: 1846— 


115—HILL PASTURES, DOVER VALLEY, N. Y. 


Millboard: Height, 16 inches; lengt 


1934 inches. 
A HERD of cows advancing alon 
through level green pastures. T 
the foremost group, are respectively black and white, 
red and white, and brown and white. In the distance 
a line of hills. Overhead, a sky of gray. The effect 
is in sunlight coming from the left. 


road which leads 


ree cows, composing 


Signed at the lower right, and dated 1917. 


[Ds 


Childe Hassam, N.A. 
AMERICAN: 1859— 


116—THE NORTH GORGE, APPLEDORE 


—y $ Height, 20 inches; width, 14 inches 


ieee 
On either side of the composition the steep rocky cliffs 
of the gorge rise from the foreground to the top of the 
canvas. Between them, in the foreground and middle 
distance, appear the bottom of the gorge with water 
surging in, and the shore. Beyond lies the blue ex- 
panse of the ocean with surf breaking on the shore and 
a sail on the horizon. Above is a strip of gray sky. 


Signed at the right, and dated 1916. 


William A. Coffin, N.A. 
AMERICAN: 1855— 


I17—EARLY EVENING ; 


y 0 Height, 14 inches; length, 20 7 Rd 
(Lg —— 


In the foreground are some pastures sloping from 
either side of a roadway which leads from the left 
into the middle of the picture. The pastures are bor- 
dered by groups of trees which traverse the canvas and 
beyond, in the middle of the composition, appear a 
view of a lake, distant trees and houses. Overhead is 
an evening sky with a belt of clouds at the horizon 
tinged with orange and pink, gradated upward from 


warm tints into qualified blue. 
Signed at the lower right. 


Abbott Handerson Thayer, N.A. 
AMERICAN: 1849— 


118--HEAD 


A eae ie 20 inches; width, 16 
A weap and bust picture of a young woman in three- 
quarter view to the right. She wears a close-fitting 
hood of dark green with fur lining and a cloak of 


green. 
| Signed at the right. 


Edward H. Potthast, N.A. 


AMERICAN: 1857— 


119—THE RED woust hr ah ait dg. 


( | 70 Water Color: Height, 20 inches; width, 16 inches 


Forrecrounp: the blue waters of a little harbor. Mid- 
dle distance: a landing-place with red-topped piles and 
buildings. On the right is a building with red walls 
and green shutters which gives the title to the picture. 


Signed at the lower right. 


Charles Caryl Coleman, A.N.A. 
AMERICAN: 1840— 
a Av 


120—THE GATEWAY, ISLAND OF CAPRI 


Z (  _ 
A GATEWAY in a stone wall, with a causeway leading 
from it in the foreground, and blue sky and foliage seen 
beyond, form the setting for a group of three peasant- 
girls of the Island of Capri, Italy. Through the door- 
way is advancing a girl carrying a water-jug on her 
shoulders, while her two companions are, one on the 
right standing, and the other, a little girl on the left, 
seated on a stone step. 


Height, 22 inches; width, 13 inches 


Signed with monogram C. C. C. and dated Capri, 1906, 
and CopyricHtT. 


Henry Bacon 
AMERICAN: 1839— 


121—_LITTLE BOY BLUE a a | : 
Te ge ae ye 


Gal. G0 water Color: Height, 14 inches; length, 2114 inches 


A scene in Egypt with a blue-clad shepherd boy head- v 


ing his flock, in the right foreground, as they proceed 

toward a stream and green pastures on the left. Be- 

yond, on the right, is another flock of sheep guarded 

by adog. In the distance is a stretch of sandy country 
and three of the pyramids. 


Signed at the lower right, and dated 1909. 


ALS 


rr 08 Height, 22 inches; width, 18 inches 


Charles Courtney Curran, N.A. 
AMERICAN: Bee 


122—_SHOWERS ies Prethirelinnns 


a 


A view from the crags of a mountain top. On a table- 
like rock in the foreground is a group of people who 
have climbed up to see the view. Above the crags and 
occupying the greater part of the canvas is a sky 
showing clouds of warm-tinted white and gray in the 
lower portion, a space of blue and darker gray clouds 
above. From these dark clouds a shower is seen de- 
scending on the right and sweeping across the picture. 


Signed at the lower right, and dated 1910. 


Charles Noel Flagg, A.N.A. 
American: 1848—1916 ane 


& 


123—FRIENDLY FISHING BOAT'S 
Pastel: Height, 24 inches; width, 1614 inches 


Two Venetian boats, side by side, and held by a buoy, 
with yellow, brown, and white sails hanging from the 
rigging. 

Signed at the lower right, and dated 718. 


Will H. Low, N.A. 
AMERICAN: 1853— 


o Tot St! DA POW hs APU Atty _ 
[ or Height, 25 inches; width, 16 inches 


124—_LA COMMUNIANTE 


| 

A FULL-LENGTH standing figure of a little French girl, 
clad all in white with a long white veil and white gloves. 
She is depicted in full face to the spectator and about 

= to step through a gateway in a garden wall. Behind 

the figure are trees and green foliage. 

: 


Signed at the lower right, and dated 1901. 


Louis Aston Knight 
AMERICAN: 1873— 


ff J 
125—THE ABBEY OF ST.GOND \ Va Wie Car be, 


( 
Sige ae (Battle-field of the Marne) | 
Water Color: Height, 21°4 inches; width, 1714 inches 


Tue picture shows the ruined walls of the Abbey of 
St. Gond, after the retreat of the Germans from the 
battle of the Marne. About a doorway in the stone 
walls of the building in the immediate foreground are 
utensils which show that the occupants had but lately 
laid down their work. Overhead is a sky of white 


clouds with a space of blue. 
Signed at the lower right. 


GS 


Rufus Fairchild Zogbaum > 
AMERICAN: 1£49— 


126—THE SALUTE | LY. 


Water Color: Height, 164, inches; length, 241%, inches 

One of the white cruisers of the United States fleet, 
seen in the blue waters of the foreground firing a salute 
as the vessel passes a town on the Mediterranean. On 
the left and right are motor launches, in the dis- 
tance mountain peaks and the buildings of the town at 
the edge of the sea; over all, a blue sky with gray 


clouds. 
Signed at the lower right, and dated 1909. 


Robert Vonnoh, N.A. 
AMERICAN: 1858— ~ 


127—SPRING IN THE ee Ye pthera ta : 


( Bee: Height, 18 inches; length, 211% inches 


—— 


Tue scene is in France and the foreground is occupied 
by a garden in which a man and a woman with straw 
hats are at work. Imside the garden wall, which 
traverses the canvas, is a peach tree in blossom and 
over the wall, on the left, are seen a house with white 
walls, tile roof and blue shutters, and the roof and 
tower of a church; above, on the left, are a bit of blue, 
and white clouds. 


Signed at the lower left, and at the lower right. 


Charles W. Hawthorne, N.A. 
AMERICAN: 1872— 


Seta ace ™. Tanmrtdbhe G 


D f tee 0 6 Height, 24 inches; width, 18 inches 


A FULL-LENGTH figure of a young woman in white 
dress, holding a white parasol over her head. She has 
stopped in a walk through her garden to look at a 
border of foxgloves in bloom. The effect is in strong 


sunlight. 
Signed at the upper left. 


Gardner Symons, N.A. 


AmeERIcAN: 1865— , Me forg se 


129— HILLSIDES AND MELTING SNOW 
“/ if 0 ods. Height, 18 inches; length, 24 inches 


Forrcrounp: fields sloping downward to the left, 
partly covered with snow. Middle distance: a hill- 
side with a piece of woods. In the distance a range of 


hills and, above, a sky of gray. 
Signed at the lower right. 


-—y 0 Height, 18 inches; length, 24 inches 
(05 — 


Lewis Cohen, A.N.A. 
AmeERICAN: 1857—1915 
130—AUTUMN 


A roapway leads from the foreground into the middle 
of the picture with boulder-strewn pastures on either 
side. On the right, trees in autumn foliage line the 
roadway, and beyond, on the left, are seen belts of trees 
grayed by the autumn haze. Two figures in the middle 
foreground and others near the center of the compo- 
sition enliven the scene, and overhead is a sky of tem- 
pered gray. 

Signed at the lower left. 


Gifford Beal, N.A. 
AmeERIcANn: 1879— 


eae ee re) (a) ° ° i ° 
& mS ie Height, 18 inches; length, 24 inches 


131_OLD TOWN ae lewd 


From an esplanade in the immediate foreground a green 
terrace stretches upward with buildings and trees, on 
the right. On the left is a vine-covered trellis. Fig- 
ures in vari-colored costumes are indicated, some in 
the foreground and others on the terrace, or the steps 
at the left. The effect is in sunlight. 


Signed at the lower right, and dated ’15. 


Charles Courtney Curran, N.A. 
AMERICAN: 1861— 


182—FRUIT ; w4 


rae, 
> (7 * — Pastel: Height, 18 inches; length, 22 inches 


Grapes, apples, oranges, and other fruits, in a platter 
on a table with a brass vessel in the background in 
which are some autumn leaves. 


Signed at the lower left, and dated 1914. 


Harry Willson Watrous, N.A. 
AmeERican: 1857— 


133-—SOLIT AIRE Thr i ie E 
’ 3 Ree: 
( 


f jj g¢ Height, 2414, inches; width, 18 inches 


A FULL-LENGTH figure of a young woman in a fluted 
gown of white, seated on a Chippendale chair in back 
view to the spectator. Before her is a red table against 
a tapestry-covered wall and she turns her head over 
her left shoulder, in three-quarter view, as she looks up 


from the playing cards. 
Signed at the lower right. 


184_IN THE VILLA D’ESTH (. 
io eae Height, 19 inches; aa. 231, inches 


f 0 


Charles A. Platt, N.A. 
AmeErRiIcAN: 1861— 


Tue garden of a well known Italian villa, with its 
walls pierced by a gateway on the right, occupies the 
foreground. In the left center a tree stretches its 
foliage upward with branches and foliage showing 
against a sky of gray-blue. The shadow of the 
branches is cast on the sunlit wall near the middle of 
the picture and the wall on the left, where there is a 
bench, is in SETI 


Frank W. Benson, N.A. 
AMERICAN: 1862— 


135—THE MIRROR : Mm. @ (3 


VY Water Color: Height, 1934 inches; length, 2434 inches 


THE composition shows the wide expanse of a lake or 
river with wild geese swimming in the foreground, and 
in the distance. On the right are bunches of reeds. 
The geese, the reeds and the shores, which are outside 
of the picture, are reflected on the glassy surface. 


Signed at the lower left. 


( 


Signed at the lower right. 


rene 


Robert Ward Van Boskerek, 
N.A. 


AMERICAN: 1855— 


136—THE SEINE AT st A2g hte i 
CAUDEBECK-EN-CAUX, NORMANDY 


FO Fis 


Height, 19°, inches; length, 24 inches 


Tue foreground is occupied by a broad roadway with 
an arched ridge on the- right, and the nearer shore 
of the Seine, where flowers are seen growing amid the 
grass. On the left is the river with the opposite shore 
showing groups of trees. On the right, beyond the 
bridge, is a house with red tile roof and garden wall. 
In the distance is a steep, partly timbered hillside bor- 
dering the river, and overhead is a summer sky with 
clouds showing tints of tempered white, pink and yel- 


low and spaces of blue. 
Signed at the lower left. 


Colin Campbell Cooper, N.A. 


AMERICAN: CONTEMPORARY 


137 -SUNSET NEAR FLORENCE 7 AAAYC ee tte 


t 5 2° water Color: Height, 191% inches; length, 2514, inches 


THE composition shows a wide view from heights in the 
foreground, overlooking the buildings of a village in 
a hollow on the right. Far away are blue mountains 
and in the sky above, which shows warm sunset tints 
mingled with gray, the sun is seen as it nears the 


horizon. 
Signed at the lower left. 


et 3 en! 
- f fad 


Elliott Daingerfield, N.A. 
AMERICAN: 1859— 


138—MOONLIGHT Wyre KO 


ne 4 ae Water Color: Height, 25 inches; width, 191, inches 


In the foreground a roadway leads from the center and 
the houses of a village are seen on either side. Back 
of them appears the foliage of large trees. Above is 
a high sky of evening grays with the moon seen in the 
right upper portion, veiled by the clouds. 


Signed at the lower left. — 


Louise Cox, A.N.A. 
AMERICAN: 1865— ; 


139—-GOLDIELOCKS. (| 


ik g do Height, 20 inches; léngth, 24 inches ( 
A picture of a little golden-haired child wearing a 
blue frock, white socks and black pumps, seated in an 
armchair upholstered in blue, and holding by a string 
with the left hand a red toy balloon. On the left an 
oaken table with an embroidered cover, a blue and white 
jar, a picture frame and books. 


Signed at the upper right, and dated 191}. 
( 


William S. Robinson, N.A. 


AMERICAN: CONTEMPORARY 


140—AUTUMN EVENING 


ts o ) {2 = Height, 20 inches; length, 24 inches oe omg 


| In the foreground at the left, a brook; on the right, 
| sloping ground with boulders and a group of trees and 
: shrubbery showing bare branches and brown foliage. 
: In the middle distance, on the left, appear a stretch of 
: pasture, a glimpse of a stream, and a hillside; over- 
: head is an evening sky showing tints of pale tempered 
yellow, pink, and_greenish-blue, with some clouds of 


ie gray. 
Signed at the lower right. 


F. Luis Mora, N.A. 


AMERICAN: 1874— 


141—JOAQUINA VE: iy Ca lie eG 


faced oe 
i g — Height, 28 inches; width, 18 inches 


A uiFE-sizE head and bust picture, with the face inv 
profile to the right, of a young girl with dark com- 
plexion and dark brown hair. About her shoulders is 
a gray-white Spanish shawl with flowers and figures, 


and in her hair is a red rose. 
Signed at the lower left. 


Francis Coates Jones, N.A. 
AMERICAN >: 1857 


od ae nes 
142—IN THE GARDEN) C77 ee Der SO 


go Height, 26 inches; width, 19 inches 


f 


Tue composition presents a garden with plants an 
bushes bearing blossoms of white, pink and violet. 
the foreground are two figures of young women, one 
in a yellow-gray gown standing and holding in her 
hands a flower-pot, the other in light purple kneeling 
in the grass before some pots and plants. In the upper 
part of the picture, through the trees which border 
the garden, are seen the walls and a window of a white 


house. 
Signed at the lower right. 


Edward W. Redfield 
} AMERICAN: 1868— 


1483—BROOK AND MEADOW 7 O.Yure MD nn 


y ) Lee Height, 251/, inches; length, 27 inches 


A STREAM runs swiftly across the foreground between 
snow-covered banks and beyond les a stretch of 
country with two hills on the left, belts of trees and, 
in the distance, a snow-covered hillside. Above is a strip 
of gray-blue sky. On the nearer bank at the right is 
the foliage of a tree which reaches up to the top of 
the composition, and on the farther bank are bushes 
bare of leaves. The effect is in sunlight on a bright 


winter’s day. 
Signed at the lower left. 


H. Bolton Jones, N.A. 
AMERICAN: 1848— : 


144SPRING MORNING Le, Se uh i 
O 6 0 Height, 20 inches; length, 24 inches q 


A sTREAM, with its waters reflecting the green early 
spring foliage of trees growing on its banks, flows into 
ti.e picture from the left middle foreground. On the 
right are level green pastures with strips of shadow 
and, in the middle distance, seen through the inter- 
stices of tree trunks and foliage, is a belt of forest 
appearing blue through the atmosphere; overhead is 
a sky of pale blue with floating white clouds. 


Signed at the lower right. 


oe . 
4 
-¥ 


( 


Sh se 


6 


Charles S. Hopkinson 
AMERICAN: 1869— 


1444—THE BREEZE ae ee 


Height, 24 inches; length, 26 inches 


_ Tue lower part of the composition is occupied by the 
waters of the ocean, with light from the sun at right 
gilding the waves. At left, a sailboat; above, a sky 
with tints of blue and gray-pink. 


Signed at the lower left with initials C. H. and red 
identifying mark. 


Anton Rudert 
AMERICAN: 1890— 


145—SULTRY SEASON RAD 


—y 6 Height, 20 inches; length, 25%, inches 


A sUMMERTIME picture showing, on the right, the 
walls and roof of a cottage with an opened green- 
shuttered window, a well, water-barrel, and_ bench. 
Near the middle of the composition is a large tree with 
its foliage filling the upper part of the canvas and 
casting shadows on the grassy foreground and the 
walls of the cottage. In the distance, on the left, 
appear bushes. Surrounding the yard, a distant line 
of trees and a space of gray sky. 


Signed at the lower left. 


Irving R. Wiles 
AMERICAN: 1861— 


146—MIRROR LAKE YU: TOnvedhr Ci | 


1 


i. 4 ,, yo Height, 26, inches; width, 201 inches j 


In the immediate foreground, seated on a chair on a 
landing, is a young girl with white dress and green 
jacket, her head turned in profile view to the left. The 
upper part of the profile is relieved against the waters 
of the lake, which fill the middle part of the compo- 
sition, and above are the farther shore with buildings 
and clumps of trees, and a sky of gray and tempered 


blue. 
Signed at the lower left. 


te ue ae tae Gud: 


Se Ra eS a, CS 


a ne a 


RST 


Kenyon Cox, N.A. 
| AMERICAN: 1856— 


147— AUGUST 1, ee 
Shes a 06 Height, 20 inches; length, 26/An¢éhes 


A FIGURE of a young woman, symbolizing August, ap- 
pears seated on the left of the composition in side view 
to the spectator. Her hands, in one of which she 
holds a sickle, are clasped over her knees and the upper 
part of the figure is covered with a drapery of quali- 
fied crimson. Near her, on the right, advancing from 
a harvest field, which lies in the sunlight beyond, is 
the nude figure of a boy carrying on his shoulders a 
sheaf of wheat. The dark green foliage of a tree 
makes a background for the head of the figure of 
August and the picture is completed by a sky of blue 
with white clouds. 


Signed at the lower left, and dated 1917. 


Harry Willson Watrous, N.A. 


AMERICAN: 1857— 


-5 9 148—PEACE WITH zonal | Fe Ss 


Tie J) do? — Height, 23 inches; length, 28 inches 


Ae 


A wavy, clad in cloak of green velvet and wearing a 
wide-brimmed black hat, appears on the right, in a 
nursery with white walls and a frieze of fantastic ani- 
mals. In her white-gloved left hand she holds the 
right hand of a little boy who is standing before her 
and is dressed in a sailor costume of blue. Behind him, 
on the floor at the left, are some of his toys. 


Signed at the lower right. 


Henry Oliver Walker, N.A. 
AMERICAN: 1843— 


149—YOUNG DAVID Se ope 


Rens oi 2. Height, 26 inches; width, 2114 inches 


A HALF-LENGTH figure of a young man, the body in 
full face view and the head turned to the right. A 
kerchief of gray-red is tied around his head and over 
his bare shoulder and chest a goatskin is draped. 
Background of blue and gray, indicating a clouded 
sky. 


Signed at the lower right. 


Francis Coates Jones, N.A. 
AMERICAN: 1857— 


150—THE SISTERS j- eA fl ere 


C Sai Height, 26%, inches; width, 22 inches 


A croup of two young women in an apartment with 
light gray walls and polished floor. One seated in an 
armchair is working with her needle on a bit of light 
blue material, while the other stands beside her, lean- 
ing against the frame of a doorway which appears on 


the left. 
Signed at the lower right. 


William T. Smedley, N.A. 


AMERICAN: 
151—DIANA Be (Q Lest 
Az WH. 
3 Nae Height, 29 inches; width, 20 inches 


a 

A HALF-LENGTH, life-size picture of a young woman, 
in full face view; drapery of gray-white with notes of 
pink. The background shows dark foliage and sky of 


qualified white and blue. 
Signed at the lower right. 


George H. Smillie, N.A. 


AMERICAN: 


152—OLD PASTURE LANDS 


-~0 0 AN: X). f 


/ y ee ae Height, 20 inches; length, 30 inches 
{ 


Forrecrounp: sloping pastures with a little stream in 
the center, the whole in shadow. Middle distance: a 
clump of trees, some of them in autumn foliage illu- 
mined by sunlight from the left; in the distance, on 
right, a line of hills. Sky, gray and white clouds with 
spaces of blue. 
. Signed at the lower left, and dated 1917. 


Arthur Crisp 
AMERICAN: 1881— 


1583—_THE LITTLE COQUETTE 


Eaeeg 7 ¢ Pastel: Height, 30 inches; width, 21%, inches 


A FULL-LENGTH figure of a young woman coming down 
the steps from the entrance to a Colonial house with 
yellow door and pinkish-gray walls. On either side of 
the doorway are hollyhocks. The young woman wears 
a gown of green trimmed with white, and a straw hat 
tied under her chin with a green ribbon. As she trips 
down the steps, she holds out her skirt with both hands. 


7 
\ 
Y 
a 
* 
® 3 
aay 
-— 
a 
z 
L . 
=] 
i 
. 
-<_ 
on 
. 


a 


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arin as 


Signed at the lower right center. : 


Walter L. Palmer, N.A. 
a we AMERICAN: 1854— 


q “- : F 
154—THE PINE GROVE Qlo earrntk Agort- 
fT 
Si ye V¢@ Millboard: Height, 30 inches; width, 22 inches ¢ 
—— 


In the foreground, near the middle of the composition, 
rises the great trunk of a pine tree with its branches 
spreading out at the top of the canvas. Farther away, 
on either side, are the trunks and foliage of other trees. 
The ground is covered with snow, and late afternoon 
sunlight, coming from the right, illumines the picture. 
Beyond the woods lies a hillside, and a sky of pale blue 
with warm tints near the horizon is seen through the 


trees. 
Signed at the lower righi. 


Birge Harrison, N.A. 
American: 1854— 


154,—THE LIGHTS OF BEVIS, yee 


/ aes Height, 25 inches; let 27 inches 


Tue lower part of the composition shows the wide 
expanse of the harbor waters with cakes of ice, the 
whole illumined by the full moon, which is seen in the 
upper center in a night sky of tempered blue. Across © 
the canvas extends the shore, with snow-covered cliffs 
and forest, and the lights of the town at the waters’ 
brink and on the high ground above. 


_ Title and signature on back of stretcher. 


J. Alden Weir, P.N.A. 
AMERICAN: 1852— 


155—STILL LIFE a | Nee 
( 0 gO Height, 18 inches; length, 30 inches 


A SsTILL-LIFE of game-birds, showing a grouse and a 
pheasant on a large pewter platter. 


Signed with initials at the upper left, and dated ’89. 


/ UO Bert Height, 24 inches; length, 30 inches 


Charles Warren Eaton 


AMERICAN: 1857— 


156—EVENING: BELGIUM gee 
SAIN 


Tue lower portion of the composition is occupied by 
gray-green fields with a row of trees extending from 
the left nearly across the canvas, and on the right a 
house with low sloping roof. The sky shows gray 
clouds below and the dark tints of evening above, with 


some spaces of pale blue. 
Signed at the lower left. 


Frank Vincent Du Mond, N.A. 
AMERICAN: 1865— 


157—GRASSY HILL 2. 
Sane 
y, dA Uae = Height, 24 inches; length, 30 inches 


From a green orchard with apple trees, in the fore- 
ground, there is a view of a wide stretch of country in 
summer time with a river traversing the picture. On 
a hillside on the left and a mass of trees near center. 
Sky, gray with white clouds. 


Signed at the lower right, and dated 1912. 


ALE 


ogee te 


oe 


Jonas Lie, A.N.A.. 


AMERICAN: 1880— 


158—OLD COVERED BRIDGE Q. (Shack 


as Height, 25 inches; length, 30 inches 


Tue waters of a broad stream occupy the lower half 
of the picture with a covered wooden bridge crossing 
it on the right. On the farther shore, near the end of 


the bridge, a group of trees and cottages. Distance: 
a hillside on the left and a mass of trees near center. 
Sky, gray with white clouds 


Signed at the lower right: 


William A. Coffin, N.A. 
AmERIcAN: 1855— 


159—THE VALLEY FARM es ee RiaGak. a 
os 


ie Gye: g¢V Height, 25 inches; length, 30 inches 


In the foreground is a grain field with standing shocks; 
the middle distance shows rolling country with belts of 
trees and a red brick farmhouse with outbuildings. In 
the distance, a range of mountains. The sunset sky 
shows great masses of clouds tinged with orange-red 


by the setting sun. 
: Signed at the lower right. 


George Elmer Browne 


AMERICAN: 1871— Ob fe 
159s_THE CLEARING: OGUNQUIT LOWE. 


/ Vo Height, 251% inches; length, 311/, inches 


——— 


Tue foreground is occupied by a sandy slope, diversi- 
fied by autumnal herbage and a bunch of saplings, on 
the right. In the middle distance a hillside, and over- 
head an afternoon sky of qualified blue with white 
clouds. The effect is in bright sunlight. 


Signed at lower right center. 


De Witt M. Lockman, 
A.N.A. (Elect) 


AMERICAN: CONTEMPORARY 


160—SPRINGTIME 


A oy anne pee Height, 30 inches; width, 25 inches 


A HALF-LENGTH picture of a young girl, in full-face 
view, wearing a wide-brimmed straw hat trimmed with 
mauve ribbon and pink roses, and a gown with trans- 
parent sleeves of dark purple. The left hand holds 


one of the hat strings which are tied under her chin. 


Signed at the lower left, and dated 1916. 


Edward Dufner, A.N.A. 
AMERICAN: 1872— 


161—SUMMER DAYS ESE Ong 


4 0 ise oWater Color: Height, 311, inches; width, 24° inches 


In the foreground on the bank of a little stream, which 
traverses the composition, is the seated figure of a 
young woman in white with her hat and parasol lying 
on the grass before her. She is depicted looking across 
the stream at two children who are throwing bits of 
bread to some ducks. Beyond the stream lie pleasant 
pastures partly illumined by gleams of sunlight a 
group of trees on the left and a distant belt of timber. 
At the top of the picture is a strip of warm-tinted gray 


sky. 


Signed at the lower left. 


/OV 


Chia v Height, 34°34 inches; width, 28 inches 


_ young woman wears an old-fashioned bonnet lined with 


Howard Russell Butler, N.A. . 
AMERICAN: 1856— 


162—SUNRISE, COAST OF MAINE 


uv 6 Height, 25 inches; length, see 
THE composition shows a rocky cliff on the léft an é 


the foreground rocks on shore. The sea, occupying ~ ~ 
the middle portion, reflects the glowing sunlight as it Sa 
appears in the sky above with tints of yellow, orange, 
and red. 

Signed at the lower left. 


Albert Rosenthal | 
AMERICAN: 18638— 


NR 


16383—PRISCILLA 


———— 


A THREE-QUARTER-LENGTH life-size seated figure of 
a comely young woman, the body in profile view to the 
right, and the head turned to face the spectator. ‘The 


pink and trimmed with pink and green. A brown 
jacket, white jabot and ruffles at the wrists complete 
the costume and the right hand rests on the arm of her 
chair. 

Signed at the upper right, and dated 1912. 


Louis Aston Knight 


AMERICAN: 1873— & GB 
NOH, Aan K__ 


164—OUR GARDEN: LAUNAY, NORMANDY 
UL r, ] vd Height, 32 inches; width, 25%, inches 


In the left foreground is a stream which winds its 
way through green fields into the distance and is 
crossed by a little bridge on the left. In the imme- 
diate foreground, on the right, growing on the bank 
of the stream, is a mass of bushes with many blossoms 
of white, yellow, red and pink. <A thatch-roofed cot- 
tage and a tree appear on the right in the upper part 
of the picture, and on the left is a hillside. The sky 
shows gray and white clouds with some small spaces 


of blue. 
Signed at the lower right. 


Frederick J. Waugh, N.A. 
AMERICAN: 1861— 


165—FOAM-SWEPT REEF << Na 4, ff 


“O47 ¢¢  —- Height, 25 inches; length, 36 inches 


Tue rocks of a reef appear in the foreground with the 
waters of the ocean surging about them and breaking 
upon them with great clouds of spray. Beyond hes 
the blue expanse of the sea and overhead is a sky of 
gray. 

Signed at the lower right. 


William R. Derrick 


AMERICAN: CONTEMPORARY 


166—THE LILY POND 
Tog VU 


/ ae 4 y° Height, 36 inches; width, 2614 inches 


————— 


Tue placid waters of a pond, in which lily pads with 
pink blossoms are floating, fill the foreground. On 
the bank at the right are a large willow and other 
trees; in the middle distance appear the green grass 
on the opposite shore of the pond and clumps of trees. 
A sky of tempered gray shows in the left upper por- 


tion of the composition. 
Signed at the lower left. 


Paul King 


AMERICAN: 1867— 


167—OLD HOUSE NEAR GERMAKTOWN 
/ 70 d 0 Height, 32 inches; length, 40 inches 


AN open space, partly grass grown, with a group of 
saplings near the center of the picture, occupies the 
foreground. A cock and hens are seen pecking about. 
On the right an old gray house with shingled porch, 
and a woman walking toward the doorway. On the 
farther side of the road, at the left, a white house with 
two men standing near its entrance. Between the two 
houses one sees other buildings of the village; over- 


head a sky of tempered blue. 
Signed at the lower left. 


Edwin Howland Blashfield, N.A. 
AMERICAN: 1848— 


168—SISTERS Tye: Vier 


Circle: 32 inches on canvas measuring: height, 42 inches; width, 
et 09 341/, inches 
HS. 


THREE young women, showing head and bust arranged 
in medallion style, with the foremost and middle head 
in three-quarter view to the left, and the third head in 
profil perdu. The young woman on the right, with 
red cap and blue drapery with white stars typifies the 
United States; the one in the middle, with modern steel 
helmet crowned by the Gallic cock, typifies France; 
the one on the left, with jewelled head-dress and red 


drapery, represents Russia. On the right of the com- 
position, over the shoulder of America, is the date 
1776; overhead above France is the date 1789; at the 
left, above the shoulder of Russia, is the date 1917. 
The title of the picture, “Sisters,” is inscribed on the 
canvas below. ‘The background is dark blue and the 


color harmonies in general present the tricolor tints. 


Signed at the left. 


George wy ee ae Maynard, 


AMERICAN: 1843— 


169—THE OCEANIDES (R. , 
Mere 


a ca, Q Height, 50 inches; width, 36 inch 


On a mass of great rocks which appear amid the blue 
waters of the ocean are three mermaids, one lying down 
with her hands under her head; another, who is nearest 
the spectator, supports herself with her right arm on 
the rocks, while the other part of her body floats in 
the water, and the third, in back view to the spectator, 
is seen seated and looking seaward. Above the expanse 
of the ocean is a sky of gray and white clouds with 
spaces of blue. 


Signed at the lower right. 


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LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 

AITKEN, Rosert, N.A. 

Vanity 2 
ALBERT, Ernest 

Winter Evening 34 
BACON, Henry 

Little Boy Blue 121 
BALL, Atice WorrTHINGTON 

Hollyhocks 50 
BARTLETT, Paut Wayuanp, A.N.A. 

Preparedness (Bronze) 103 
BEAL, Girrorp, N.A. 

Old Town Terrace 131 
BELL, Epwarp A., A.N.A. 

Patricia 18 

The Shepherdess 36 
BENSON, Frank W., N.A. 

Early Morning 107 

The Mirror 135 
BITTINGER, Cuartes, A.N.A, 

After Sunset 23 


BLASHFIELD, Epwin Howranp, N.A, te 
Sisters 


BOWDAIN, Harrierre 
Asbury Park 


BROWNE, Grorce ELMER : 
A Breezy Day at Etaples 
The Clearing: Ogunquit 


BUTLER, Howarp Russert, N.A. 
| Sunrise, Coast of Maine > 


CALDER, A. Srerute, N.A. 
Study for Statue of History (Bronze) — 


CALUST, L. i 
The Fisherman Soa rd - 


CARLSEN, Emm, Nid. ae 


Evening | ‘ 7 112 
CARRE, Brn aes 
A Stormy Evening: Princess. Bay ee 70. a 


CARRE, JEAN CAaTTREL : ; 
Winter aaa a 2) 


CASTAIGNE, A Ae a 
Catastrophe at Sea ~~ 809 


CHAPMAN, Carterton, N.A. hee 
The Open Sea 22 


CHURCH, F. Epwm | ‘a 
Hollyhocks 32.453 


: CATALOGUE 
NUMBER 

CLARK, Entor, A.N.A. 

Distant Country 42 


CLARK, Watrer, N.A. 
A Neighboring Hillside 30 


CLEMENTS, Gerorcer H. 
Cape Cod 52 


CLOSSON, Wixi1am Baxter, A.N.A. 
The Spirit of Fire 61 


COHEN, Lewis, A.N.A. 
Autumn 130 


COFFIN, Wirrram eyecN A. 


October Evening 1d 
Early Evening Oy 
The Valley Farm 159 


COLEMAN, Cuaruszs Caryu, A.N.A. 


Vesuvius: View from the Island of Ischia 97 
The Gateway, Island of Capri 120 


COOPER, Coun Campsett, N.A. 


Sunset near Florence 137 


COOPER, Emma Lampert 
The Little Shop: Holland 38 


COX, Kenyon, N.A. 
August 147 


COX, Lovisr, A.N.A. 
Goldielocks 139 


CRANE, Ann 
Winter 


CRANE, Bruce, N.A. 
On the Farm 


CRISP, Arruur 
The Little Coquette 


CROSBY, Raymonp M. | | se 
Cape Cod in Summer ‘ 
Cape Cod in Winter 


CURRAN, Cxartes CourTney, N.A. 
Showers 
Fruit 


DAINGERFIELD, Exuiorr, N.A. 


The Canyon Rim 
Moonlight 


DAVIS, Cuartes H., N.A. 


Summer Morning | 


DERRICK, Witiiam R. 
The Lily Pond 


DEWING, Tuomas W., N.A. 
Pastel | 


DODGE, Wiriiam pe Lerrwicu 
Moonlight in Georgia 


DUFNER, Epwarp, A.N.A. 


Summer Days 


DU MOND, Franx Vincent 
Grassy Hill 


DUNSMORE, Joun Warp 
Old Friends 


EARLE, Ferprnanp 
In the Alps 


EATON, Cuar.es WarrEN 
Evening: Belgium 


EILSHEMUS, Louis M. 


Cranston Point: Hudson River 


FLAGG, CuHar.es Noe, A.N.A, 
Friendly Fishing Boat 


FLANAGAN, Joun, A.N.A. 
Head of Aphrodite 


FONTAINES, H. pes 
The Portiére 


FOSTER, Ben, _N.A. 
Landscape 


FRENCH, Dantext Cuester, N.A. 
Vanity (Bronze) 


FULLER, Lucia Farircuixup, A.N.A. 


Sturgis 


GARNSEY, Ermer E. 
The Opal Shore 


CATALOGUE 
NUMBER 


157 


108 


156 


40) 


123 


100 


73 


91 


103 


GRANVILLE, Smrri W., N.A. 
Landscape 


GREACEN, Epmunp 
Spring 


GRUPPE, Cuartes P. aa 
Caledonia Creek aaa 
HARRISON, Bireer, N.A. 
The Lights of Levis 


HASSAM, Cuinpz, N.A. 7 
The North Gorge, Appledore 


HAWTHORNE, Cuarizs W., N.A. 
Foxglove | 


HAZELTON, Mane BREWSTER 
The Absent One 


HICKOK, Lina Wiser 


Roses 


HIRSCHBERG, Sypvey H. 
The Pursuit 


HOFFMAN, H. L. 
The Old Home: Old Lyme, Connecticut — 


HOPKINSON, Cuartes S. 
The Breeze 


HOWE, Wixu1am H., N.A. | 
Hill Pastures: Doyer Valley, N. Y. 


CATALOGUE 
NUMBER 


MUBBELL, Henny Saten, A.N.A. 
The Pied Mannekin 62 


HYDE, Wiiuam H., A4.N.A. 
The Approach of Winter 72 


JONES, Francis Coates, N.A. 


In the Garden 142 
The Sisters 148 


JONES, H. Botton, N.A. 
Spring Morning | 144 


KAUFMAN, J. S. | 
Chamois Hunting in Switzerland 57 


KENDALL, W. Sercerant, N.A. 
L’Egyptienne | 63 


KING, Pav 


Old Houses near Germantown 167 


KNIGHT, Lovis Aston 


The Abbey of St. Gond 125 
Our Garden: Launay, Normandy 164 


KNOX, Susan R. 
The Road to the Sea ie? 


LAMB, Exia Conpir 
Daisy 10 
A Touch of Frost 39 


LEIGHTON, Lorp Frepericr, P.R.A. 
Study of Drapery 19 


LEITH-ROSS, H. 
The Bridge at New Hope 


LIE, Jonas, A.N.A. 
Old Covered Bridge 


LIPPINCOTT, Wituram H., N.A. 
Blanche, French Peasant Child 


LITZINGER, Dorornea M. 


~ Autumn Flowers 


LOCKMAN, De Wirt M., 4 N. A, Elect 
einer geuS on as tg 


LONGACRE, Lyp1a 
Landscape 


LONGMAN, Evetyn B., 4.N.A. 
Female Torso (Bronze) 


LOOMIS, Crestor, 4.N.A. a 
A Country Church, Vermont 


LOW, Mary Faircuiip 
The Dove of War 


LOW, Witt H., N.A. 
Gloria 


La Communiante 


MAYNARD, Georce Wittovenusy, N. se 
The Oceanides _ 


MEYERS, Jerome 
Children at Play 


MIDDLETON, Srantey 
The Gardener’s Cottage 


MILLET, Mapame Francots 
Head of a Young Woman 


MORA, F. Luis, N.A. 


Joaquina 


MORSE, Epwarp Linp 
The Switchlight 


MURPHY, J. Francis 


Autumnal Landscape 


MAC NEIL, Hermon Arxins, N.A. 


Primitive Chant (Bronze) 


NAST, THomas 
Washington 


NETTLETON, Watter, A.N.A. 
The Edge of the Woods 


NIEMEYER, Joun H., A.N.A. 
Appreciation 


OLINSKY, Ivan G., A.N.A. 


Anna 


PALMER, Watrter L., N.A. 
The Pine Grove 


PARSHALL, Dewitt, A.N.A. 
Old Farm: Catskills 


CATALOGUE 
NUMBER 


3 


106 


141 


59 


48 


60 


81 


90 


PETERSON, Jane 
The White Boat 
A Gray Day 


PHELPS, Heten Watson 
Hollyhocks 


PHILLIPS, H. S. 
The Gardener’s Daughter 


PLATT, CHARLES A., N.A. 
In the Villa d’Este 


POTTHAST, Epwarp H., N.A. 
The Red House 


POWELL, Artruur J. E. 
Winter 


PRELLWITZ, Eprra Mrrcnert, 4.N.A. Be: 
The Pool ie oe 


PRELLWITZ, Henry, N.A. 
A Lull in the Storm re ae 


Roses — is 


QUINN, E. F, ; : . ae 
Nude Figure ce 


REDFIELD, Epwarp W. 
Brook and Meadow 


REID, Rosert, N.A. 
The Black Hat 


3 CATALOGUE 
NUMBER 

ROBINSON, Wii S., N.A. 

Autumn Evening 140 
ROSEN, Ernest T. 

Lights and Shadows 69 
ROSENTHAL, Apert | 

Priscilla ~ 163 
ROSS, Gorpon 7 

Landscape rel 
RUDERT, Anton 

Sultry Season 145 
RYDER, Cuauncey F., A.N.A. 

Ogunquit Coast_ 93 
SALISBURY, A. Wesr 

Hudson River 13 
SARTAIN, Harrier 

A Country Garden 4d 
SEYDEL, V. 

White Peonies 43 
SHURTLEFF, Roswett Morset, N.A. 

Falling Leaves 40 
SINGER, Wixiram H., 4.N.A. 

Old Farms: May Morning 82 


SMILLIE, Georce H., N.A. 
Old Pasture Land 152 


STODDARD SE eh | 
A Westchester Hillside 


STONE, J. 
Wood Interior 


STORY, Grorce H., 4.N.A. 
The Fair Sketcher 


SYMONS, Garpner, N.A. 
Hillside and Melting Snow 


TAYLOR, Witriam NIcHOLSON 
The Bridge 


Venetian Fragment 


THAYER, Assorr Hanperson 
Head 


THULSTRUP, Tuure pr 
A Modern Equestrienne 


TURCAS, Juxes 


A Connecticut Lane 


UNKNOWN 


Flowers and Fruit 


VAN BOSKERCK, Roserr Warp, N.A. 


The Seine at Caudebeck-en-Caux, 
Normandy 


VAN LOO, Care is 


Drawing 


VOLK, Doveuas, N.A. 
A Wood Nymph 


VOLL, F. Usuer vr 
Early Spring: Central Park South 


VONNOH, Roserr, N.A. 
Spring in the Garden 


VOORHEES, Crarx G. 
Landscape 


WALKER, Henry Otniver, N.A., 
Weeping Nymph 
Young David 


 WATROUS, Harry Wittson, N.A. 


Solitaire 
Peace with Honor 


WAUGH, Frepericxk J., N.A. 
Foam-swept Reef 


WEIR, J. Aupen, P.N.A. 
Still Life 


WHITTEMORE, Wir11M J., A.N.A. 
Smiling Girl 


WILES, Irvine R. 
Mirror Lake 


WILLIAMS, Freperick BaLiarp 


Landscape 
Near Pompton 


CATALOGUE 
NUMBER 


114 


46 


127 


56 


74 
149 


133 
148 


165 


155 


rhe 


146 


94 
110 


WOODWARD, Dewive 
Indian Girl 
Daphne 

A Dragon Fly 


WUERPEL, Epwarp H., 4.N.4. — 
Landscape: St. Lawrence River 


>. 


YATES, Conan ace 
Uplands 


ZOGBAUM, Rurus Faircuiip | an 
The Salute An 


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AND OTHER PURPOSES 


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THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 
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TELEPHONE, 3346 GRAMERCY 


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